190 Barbara Sumner

Transcript

Full shownotes: https://www.adopteeson.com/listen/190


Karri: [00:00:00] Hi, my name is Karri from Seattle, Washington. I'm a longtime Patreon supporter to Adoptees On because the voices and stories shared are similar to my own and help with my feelings of aloneness. Please join me in supporting the podcast at adopteeson.com/partner, where any level of contribution is appreciated. Thank you.

Haley Radke: You're listening to Adoptees On, the podcast where adoptees discuss the adoption experience. This is Episode 190, Barbara Sumner. I'm your host, Haley Radke. I am thrilled to bring you Barbara Sumner today. Her literary memoir Tree of Strangers is one of the best books I read this year, and I'm including my non-adoption-related reading in that. Today, Barbara and I talk about some of the painful experiences she recounts in her book, but we also talk about some of the issues facing the adoptee community today, including [00:01:00] Barbara's perspective on adoption reform versus the complete abolition of adoption. We wrap up with some recommended resources and, as always, links to everything we'll be talking about today are on the website adopteeson.com. Let's listen in.

I am so pleased to welcome to Adoptees On, Barbara Sumner. Kia ora, Barbara.

Barbara Sumner: Oh. Oh, aren't you lovely? That's great. Kia ora.

Haley Radke: How did I do? Am I close?

Barbara Sumner: Really good. You did great.

Haley Radke: I'm so excited to connect with you on the main feed show. We did a Book Club a couple months ago for your fantastic memoir Tree of Strangers, but thank you so much for agreeing to come and talk with us today.

Barbara Sumner: Thank you.

Haley Radke: I'd love it if you would share a little bit of your story with us.

Barbara Sumner: Well, of course, I've written about my story in Tree of Strangers. Although it's not just about my story as a book, it's also [00:02:00] about a lot of the issues that all of us, many of us as adopted people face. But my story's pretty common. Taken from my mother who was coerced and forced into relinquishing her child. She made the choice of no choice. There were no options for her. And so I was grafted onto a stranger's family and was expected to act my whole life as if they were my natural family. And, I think the thing many adopted people find is that we are required to be so performative. And I think adoption in itself is a performative act because we are pretending that we are the natural children, and it's not necessarily... Yes, I guess it's false. You could say it's a false paradigm that we are put within. But my story is I left home very early. It was a very [00:03:00] unpleasant place for me to be. And I got married young. I had children very young. And then I looked for my mother in my very early 20s and was able to find her through a whole series of very strange and obscure coincidences. This is in the early '80s, so it's long before DNA. And we connected. She was living in Spain, and we connected, through a third party. She got on the next plane to come to New Zealand and that plane crashed, and she was killed. So I guess the story is the idea that when we're born and we're separated from our mothers and we suffer that crushing defeat of losing the maternal dyad; as far as we are able to understand as babies, our mother has died. It is as if our mother has died. So for me, [00:04:00] of course, she came alive for three days because the three or four days between contacting her and her getting on the flight, she was no longer dead. And then she was, then she really was dead. So that double dying is something that only adopted people get to experience. It's a very unique and sad situation for us.

Haley Radke: I was so moved when you wrote about it in your book. I just was deeply grieved for you, and so I'm so sorry that you lost her and weren't able to meet her in person. One of the really painful things you recount is the courage you summoned up to tell your adopters that this had happened, and the reaction from them was just...it was staggering to me to read about, but I can't imagine the painful crushing, soul-crushing to hear this from [00:05:00] them.

Barbara Sumner: I think it was also crushing for them because they had, I now think, willfully lived playing that game, the as-if game. And so to have that reality thrust at them was very hard for them. The thing I understand now is that you can't be both the cure for someone's infertility and someone else's child. And so that truth for them was too much. And yeah, I had a photograph of my mother. It's not long after she's passed away, and I show it to them, and my adopting father takes the photo out of my hands and rips it up and screws it up and throws it across the table and yells, "There is your mother." And we never talked about adoption. It was: They did their duty by telling me I was adopted, but we were not allowed to discuss it. It was one of those no-go zones. And I [00:06:00] think many people experience that where it's just something that's there. It is. But it's not something you can explore. So whatever feelings you have around it, you're not allowed those feelings and so you suppress them or repress them. And for me, that was me starting to come out of the fog, I guess. And that whole idea of fog, I didn't even realize I was in it until the moment she died, when I kind of woke up, to the extent that I took my three small children–one, two, and three–and left my marriage. The parting of the clouds, I guess, was so great that I realized I was living a life that was not for me.

Haley Radke: What did it take to rediscover who you really were? I think that so many of us are just trying to unpack that. I kind of joke around sometimes we don't even know what we like. It’s identity reclamation of some kind.

Barbara Sumner: Yeah, but it doesn't happen overnight. I'm now 61. My daughter that was three at the time is now 40. And I'm still understanding it. I'm still explaining it to people. I was talking to a friend in Canada earlier today, and I was explaining to her how I hate making mistakes. She was recounting some of the things that she had done when she was younger that she wasn't proud of, and she said, Well, what about you? And I'm thinking, I don't know what that would be because I've been terrified of making mistakes. Because to make a mistake is to risk being rejected. And that immediately triggers the fact that you might die because that is the feeling when you are a newborn and you are suddenly separated from your source of life. The underlying feeling is one that you might die. And so, [00:08:00] I stole one thing once when I was 12 and then I took it half used and put it back on the shelf in the store because I didn't want to get caught. And that's a terrible burden. I wish I was free, I had felt free to be more loose with my life, I guess.

Haley Radke: Oh, that's interesting. Wow. That's a conversation for another day. The what-if Barbara. I just watched this news interview you did and you're doing all this amazing activist work in New Zealand and really are an outspoken advocate for adoptee rights there especially. And the other person that was on with you, a fellow adoptee, as soon as she was asked the very first question, she does what so many of us do. There's this sort of apologetic kind of "Oh, but I grew up in a really loving family." She gives this caveat, and [00:09:00] so then it's okay to explore. I thought, oh yeah, this is really a contrast because so many of us did have that experience but we can still be critical of adoption. And then for someone like yourself, when you can show us some of the negative experiences you had and in fact, this is a whole other topic, but you even talk about how much you disassociated, like you kind of forgot you grew up with an adopted sibling. You just erased this from some of the conversations I've listened to. So it's this, really I don't know, these contradictory experiences, where we can be critical of adoption and hope for something better.

Barbara Sumner: It's an interesting thing, isn't it? Because that person that I was on that show with, we talked later and she said, I'm only just beginning to get it. And she has a PhD and she's a very outspoken person. She speaks for Māori, and I don't, for Māori people that have been taken in adoption. [00:10:00] But the thing that I do say all the time is that it doesn't matter. It's not about whether we had a good adoption or a bad adoption. It's not about good adopters or bad adopters. All of us suffer the same loss of human rights, of universal human rights, and good or bad is not the point. Good adopters take away, erase our identity just as bad adopters do. And then being adopted is not welfare. It's a piece of property law in this country, and I'm sure it is there too. It's a combination of contract and property law. Being adopted is no guarantee that you won't be abused or you won't have a difficult life because we are adopted into families as diverse as people are born into. What is different [00:11:00] is that we have fewer rights than non-adopted people. And I guess my entire raison d'être is that I want what non-adopted people have. I want parity. I don't want to be a second-class citizen or a different citizen. I want what they have, and I don't think that's too much to ask.

Haley Radke: When you put it like that, no, that's not too much to ask. I think I really love hearing your perspective on that because I think so many of us wrap up our personal experience and our healing journey and, talking about coming out of the fog and things, and we wrap that up along with the adoptee rights issue. And we need reasons for it. And when you just talk about it like a human rights issue, it makes it so much simpler to talk to legislators about it.

Barbara Sumner: Yeah. One of the things that I find really interesting is that [00:12:00] non-adopted people particularly, but not only, want to know what your story is. And non-adopted people don't get asked what their story is. And what happens, I think, is that when we get caught into telling our story and our stories become anecdotes. The moment you say, as I have, that I was adopted into an abusive family, somebody will inevitably say: Oh, but I know someone who's really happy with their adoption. That's where I have an issue because, yes, of course, people have had happy adoptions. It's not about that. It is about how the law treats us differently, how we are denied our basic human rights for genetic information, how we are denied our ancestors, how we are required to act as if we are the offspring of people that we are not, how there's a lie at the center of our lives, which is birth certificates that are falsified. [00:13:00] In New Zealand every birth certificate, adopted or not, has a little statement on it that says that it's illegal under the Crimes Act to falsify the details of a birth certificate. And yet there on my second one is my adopter's names as birth parents. And they're not. Then I have another birth certificate, which is my first one, and it has a big fat stamp on it. It doesn't have the same depth of information, but it has on it a big stamp that gives the names and really detailed information about my adopters and my adopted name. And when I spoke to Internal Affairs, who run the births, deaths, and marriages, they said it's to stop me using my original birth certificate to create a false identity. And you begin to [00:14:00] see how twisted the thinking is, how all of us have been gaslit into thinking things that are really quite twisted.

Haley Radke: The irony in that. You may use this, your original birth certificate to create a false identity, but we've already done that for you,

Barbara Sumner: Yeah. In this country, I have it in writing from a person at births, deaths, and marriages, Internal Affairs, that describes my original birth certificate as “essentially ornamental,” and my adopted birth certificate as “a legal fiction.” And I think both of that is probably very accurate, that we are legal fictions, and I talk about the fictive family, how your adopted family is a fictive family. For me, that is particularly powerful when I think about – You talked about my sibling. [00:15:00] And I was wondering, maybe he's like an “adoptling” rather than a sibling, because both of us were forced to pretend we were brother and sister. And yet there was nothing in common between us. Nothing, just nothing. So you're always acting, you're always performing somebody. You're performing a role. You're performing the role of someone's sister, someone's child. And then they're performing the role as well, the parents, of being as if you were their natural child. I know you can look at someone else's child who is wonderful and lovely, and you think that you're in love with them or you're caring for them. But you know they're not yours. You know they're different. And we all know that, even if we won't, even if we can't talk about it.

Haley Radke: I know you've talked to so many adoptees about these things. And in fact, I went to look at Goodreads to see your [00:16:00] reviews because your book is wonderful. It's transformative. It is so beautifully written. You're a writer. You are a writer. It's so good. But I was curious what the general public had to say about your book. Interestingly, some of the critical reviews came from fellow adoptees, who had this challenge with the way you spoke about adoption. And I thought, Oh my goodness, we really are still just living in the fog here. Do you have thoughts on that? I know in your book you quoted from another adoptee rights activist from Australia. This is a quote from your book:

“Dr. Catherine Lynch, who runs the Australian Adoptee Rights Action Group, believes the compliant, well-adjusted adoptee has repressed their infant trauma. ‘They have learned to negotiate and secure their relationships within their adoptive families.’ They do this, she says, to avoid repeating their initiating [00:17:00] experience of abandonment and rejection."

Barbara Sumner: I can't improve on that. She's absolutely correct. That is what happens. And I don't blame adopted people for feeling that way because what if it all falls apart? What if we do tell the truth, to ourselves first, and it all falls apart? And then of course, this leads, I think, quite naturally into what I call reunion porn. Here there's a show on TV, and there's another one coming soon, that's actually by an adopted person. And what I think happens is that those kind of shows are like the third part, the final act of adoption that feeds back and says: Well look, it wasn't so bad after all because now you're lucky you've got two families. Aren't you lucky? But I know that [00:18:00] the family in reunion is nothing like the family relationship you would've had with those people had you had an experience of them growing up with them, or even had you known about them and had some interaction with them during your life. Essentially, we're talking about fear, fear that if we speak the truth, we will be rejected. It always comes back to that. If we do something wrong, we will be rejected. If we don't play the game the way it has been allocated to us, we will be rejected. And it's a deep wound. I don't know if it ever really goes away.

Haley Radke: I understand that concept. You get it, right? You get why so many of us are like, I can't even go there. That thought just never even consciously surfaces because it's too scary. And [00:19:00] you told your truth and you've paid the price. You've lost your connection with your adopter. She cut contact with you. Was it while you were writing the book? Was it after it was published?

Barbara Sumner: She cut contact with me. I told her that I was going to court to get my files, and in New Zealand that's almost impossible. You have to come up with a reason that is called a special reason. It says it in the act, “a special reason.” And that special reason is not defined in law but defined by any judge on the day, and it has to be something that has not been before the courts in the last 65 years. So you have to come up with a reason that has not been rejected before. So if you are dying of cancer, because I've got a whole pile of court decisions, minutes of court decisions, and so I know many of the reasons why people were rejected. You're dying of cancer? That is not a good enough reason. You will be rejected. [00:20:00] And that was 15, 20 years ago. So if you go with that now, you will not be allowed your files. I was able to come up with something–evidence of three different birth dates–that hadn't come before the courts before. It was still a choice, but they had to give me my files. So my female adopter was not happy about that. But in doing so, I discovered from some of the files –. In the end, I didn't get all of them, and I have to now go back to court again to get the rest. But I discovered that, really, I was trafficked. That weeks before I was born, the doctor was trafficking me to these people that adopted me, and they'd always said they knew nothing. They knew nothing about my mother. They knew no names. They had nothing. And I had evidence that they did, and I had evidence that my adopter's sister was involved with the doctor. And so therefore, I was trafficked [00:21:00] well before I was born. That was illegal then as it is now to promise away a woman's child before it's born. And when I said that to her, that's what did it. The fact when I said that your sister had trafficked me and the doctor, that was what it took.

So that has been nearly three years ago. She just lives around the corner, and I thought, I want to take her out for lunch and just see how she is, see how she's getting on and let her know that this is her decision not mine, and I'm here. I'd already asked her if she would like to come on this journey with me because I believe that she was also a victim, that she was told that it will not be any different. She had to suppress her own feelings, and she had to force herself to look at this baby and pretend it was her own, especially as I began to grow and become quite different to them. [00:22:00] We took her out for lunch, and I said, Tell me really what the problem is. And she told me that the problem was that I believed that they had lied to me. And I said, But I have the evidence. Actually, no, let's go back. I said: It doesn't matter what the evidence says. I understand how hard it must have been for you, and I just want to get past that. It doesn't matter anymore. Let's forget that and just make a relationship from there. And she looked at me and her face went blank, which is a face I remember well from my childhood, and she said, “I can't hear you.” And for the next 10 minutes, she repeated that. Every time I tried to speak, she said, I can't hear you. And so we left the lunch and I took her home and that was it. That is [00:23:00] exactly how it is. She couldn't hear me then, and she can't hear me now, and she doesn't want to. And I'm sad about that because this is a person I've known my entire life. And I know for myself as a parent, my relationship with my daughters has changed over the years. I am less a mother now and more a friend. I have an adult relationship with them. And what I understood from her is that she had not been able to transition, that I still had to behave as if I was her child, and she didn't want me in any other way. So I wasn't able to be in an adult relationship with her. Now, of course not all adopters are like that, but that's not the point. The fact is that because we've never had a public discussion and a public debate about this, because we don't talk about it in these very [00:24:00] clear terms, it's very hard for people to transition to understanding.

Haley Radke: I did a whole series on estrangement earlier this year and that was a really common thread. Really common, sadly. Going back to adoptee perspectives, I've seen so many adoptees go into helping careers. They go and train to be social workers or therapists in some way, and a lot of them end up going back to work in the adoption system. There's this hope, I think, that they can make some kind of changes from the inside and, I don't know. I don't know. I've never done that, so I'm not exactly sure. But what do you think about that? Adoption reform, is that possible? There are so many people who say they're working towards that, but I don't [00:25:00] necessarily see progress in that. I'm curious about your thoughts.

Barbara Sumner: It's an interesting one, isn't it? Obviously, the cry for reform and people going into the helping industries is a way of trying to work out their own feelings and to try and believe that it's not as bad as what their heart knows it is. But I don't believe that adoption should be reformed. So for instance, I was following a woman recently who's a therapist working with people that are hopeful parents who are trying to create children using assisted reproductive technologies and surrogates. She's an adoptee herself and it's almost like it's a front or a protection. The answer always is she's an adoptee so she would understand. But what I see is that she is trying to make her own experience marry up to what she wants [00:26:00] it to be rather than what it really is, and so she's trying really hard to make it okay. And she's there not to assist people who are adopted or who are created from anonymous gametes or who are going to be born through surrogates and then have suffered mother loss. She's there to meet her own needs, which are completely unmet in her own personal experience. And of course, we all do that. We all try and meet our needs in these ways.

But I used to believe that adoption could be reformed. I no longer believe that. I think that adoption should be abolished and that we have to replace it with a very strong understanding that family preservation must come first, that whatever we do we must try and protect the mother-child [00:27:00] dyad. We must support mothers to parent even when it seems really difficult. Obviously, there are always going to be children that need care, that are unable to stay in their families. They should not have to pay to be cared for with the loss of their identity. The cost then goes on to the child who is adopted. And for anyone else who is adopted, but who is adopted because their parent, their mother or father, can't care for them, they shouldn't have to lose their identity. Instead, what we should be doing is replacing adoption with forms of enduring guardianship so that it's understood by would-be adopters that you don't own this child, that you can't take away their identity and replace it with your own. I think that what we need to do is [00:28:00] change the underlying ethos of ownership, what I would call the tabula rasa, the idea that a child is a blank slate and that you can pick this child up from this person and dump it over here and there will be no harm. We know there's harm. The science is in that there is harm, great harm, and that harm lasts all our lives. So I really do think that we need to start talking about the abolition of adoption and a replacement with family preservation first, and when that's not possible with enduring guardianship that doesn't change birth certificates, that doesn't brand you with your adopters' names, that doesn't say you don't have siblings or cousins or grandparents or all those things.

Haley Radke: I remember hearing you talk about all the generations that you're severed from, and then also that your daughters are severed from, [00:29:00] this other layer of disconnection that's perpetuated through adoption. Can you talk a little bit about that? And then also–I'm going to link to this in the show notes–your daughter, Bonnie Sumner, is a journalist, and she interviewed you when Tree of Strangers came out, and it's really powerful to read her questions as a non-adopted person who gets it because you've obviously shared with her your experiences, etc. But can you talk a little bit about that?

Barbara Sumner: Yes. The issues around adoption I have talked about a lot with my daughters. I have four daughters and one stepdaughter. So we talk about these things always, and we have done for years. Not when they were smaller because I didn't know either. I was just learning. But we certainly talk about it a lot so they are probably [00:30:00] non-adopted people who get it, obviously. But the thing that I understand now increasingly at this late age is that the way I parented was based on being adopted. I created this very intense environment of us and them, that I probably held far too tight to them. In a way, subconsciously, they needed to meet my need not to be rejected. And I think now what a heavy burden I placed on my children. I don't blame myself for it because I get it, but it was a burden that they were required to meet my needs. And of course, they've lost their extended families as well. They've lost those relationships. I have three half-sisters: [00:31:00] two with my mother and one with my father. And my children have missed out on the culture of that wider family, as much as I've missed out on that culture. That's one of the things, again, getting back to reunion, one of the things is that you can't just suddenly torpedo into another family's life, and because you're genetically connected, that you are also culturally connected. There's a million little things that make up a family culture. We talk about culture as in, you know, I'm half Jewish, so I talk about Jewish culture. It's much more granular than that. It is that each of our families, within a family, there's a culture, and that's what we've lost as well. So yeah, my daughters get it, and it's a burden for them as well.

Haley Radke: When I was reading some of Bonnie's questions to you, I thought, my goodness, if only there [00:32:00] were other non-adopted folks who had this level of understanding to be our allies. Because it's like they don't believe us. Will they believe them? I feel like I go to that so often, how do we change the whole narrative? How do we change society's narrative about adoption? And I know you're a part of that movement, but it just feels so big, and yet you're doing it with your own daughters. Hopefully we're doing it with this conversation and so on.

Barbara Sumner: Definitely. You're definitely doing it with your fantastic work. I think each of us do it in our own way. I look at the wider adoption community, the adoptee community around the world, and I can see we fall into disagreement all the time because we are so sensitive. We are damaged people and we take offense very easily. I've noticed a lot of that [00:33:00] within the community, and we end up in-fighting rather than rising above individual issues and joining on the things that we can agree on. That it's not about a good or bad adoption, that it is about loss of human rights, that it is violations of the United Nations treaty on the Convention on the Rights of the Child, those things. These are the things that we need to agree on, rather than that we have to speak well of adopters or you had a good adoption and I had a bad one. So we're a difficult community to communicate with, let alone communicate beyond into, as you call them, our allies. It's difficult to find allies because the gaslighting is remarkable.

I was actually talking with Bonnie and my other daughter, my next daughter down, Rachel, about this the other day. We were discussing how gaslighting is so pervasive that [00:34:00] almost... I don't know how they did it, but it had to be using the very strong lever in society of shame. 1955 is when the Adoption Act came in. In 1954, and prior to that, it was illegal to abandon a child. It was considered shameful to leave your child. It was not something people did. And then what appears, to us, almost overnight, although I'm at the moment just starting to research what actually happened, we went from that understanding that a mother and child are indivisible to it being considered a good thing for mothers who had no support to give away their child. And in fact, it was shameful to keep your child when somebody else could give them more: more love, more money, more stability, more support. And of course, we're talking about married women able to give children what a [00:35:00] single woman could not. And so we're talking about how amazingly society switched very quickly from one way of thinking about a mother and child to a completely alien way. And we hear quite often actually from the adoption industry that babies have been looked after, children have been looked after by other than their family from the beginning of time, and it's just not true. In the odd cases, of course, but the family unit has always been, and that's the genetic family unit, the basis of society. But what I think happened then, and I still am working my way through this, is that the whole idea of the nuclear family was starting to be part of society. And a single mother with a child does not fit the nuclear family. And this was, of course, part of economics. It was an economic thing. The [00:36:00] nuclear family is an economic family. It's an economic unit. So it was part of how we were changing as a society. So a single woman and her child does not fit that description. A married woman who's infertile also does not fit that. So you cannot make a nuclear family on infertility. So of course, that's what we started to do. We started to say: Oh, look, we can take the babies from here and pop them over there. Et voilà, the nuclear family. All done, dusted. Fresh loaf of bread from this one over to this one.

Haley Radke: And as you're recounting that, I'm thinking of your story and, as you shared earlier, when reunion was imminent and you left your husband, you became a single mother with three little teeny, teeny ones at that time. [00:37:00] And you talk through the impoverished times and all the things that you've done to support your family. I wonder what your perspective is on that. You did it. You did it with no support. How did you do that? And you share about that in your book. So I could see why family preservation is just so deeply ingrained in you.

Barbara Sumner: Yeah. I remember when I first left with my children. When I look back now, I think that was insane. What a crazy thing I did. How did I expect that I would survive with three babies aged one, two, and three? It was a madness, but all I can say is I was very young and so I had a lot of energy. Certainly, I couldn't do it as I got older. But also, I don't know. One of the things that happened was at one point, [00:38:00] and this is a thing, I had a problem with some behavior in my adoptive parents' family. There was some drinking and some bad male behavior, and it was over Christmas and I didn't want to expose my children to that. I went home early from this, went back to their house–we were staying with them–and I said to them that night: "Look, I'm not gonna do that again. This is not a safe place for my children or for me." And they were being rude to me, the men. There's another thing I think that happens sometimes in adoption where because you are not genetically theirs, there's a freedom to behave in a different way, even if it's a subtly different way, and I think many of us understand what I'm saying here. And my adopters went cold. They did the cold face and stopped speaking to me. And so I left the next day and drove home with my kids. And then a few weeks [00:39:00] later I got a letter from them, a registered letter in the mail, that said that if I couldn't accept their family as my family, if I couldn't accept their family, then they needed to disassociate from me. And I understand that it wouldn't matter what my kids did, I couldn't disassociate from them. It's just not possible. And I then understood that I was truly alone. I had three small children. I was living in a city, I had managed to find a rental house that I could afford by some circumstances that were remarkable, but I had no one and there was nobody to turn to. And part of, for me, for adoption, we moved house every few years so I had no long-term friends. I was completely disconnected from any support networks. So those were [00:40:00] tough times, and I don't think anybody should have to go through that. We should not treat women in such a way. We need to change not just how we are with single women and family preservation, we need to support what it is to be a mother. We don't. We don't mother. We don't mother our mothers. We just expect you to get on with it.

Haley Radke: Thank you for those thoughts. That is really powerful. It is something that I I always throw around, family preservation first, and it's very important to me, too. But really understanding what that means and the level of support a mother and child need to stay together, it looks very different than just a quick, snappy phrase, right?

Barbara Sumner: Well, I read some research and I can't bring it out right at this moment, but some research that said in the States they [00:41:00] looked at women who were relinquishing their children and asked them what the dollar figure was that they needed to parent. And it was $3,000. And adoption in the States is, I guess, something around 30,000. It's very expensive. So I think where the education needs to be is around family preservation. That if you want a child, we seem to think that there's a right to it, that your right to a child is greater than that person's right to their identity and to be with their mother. So we have to change that sense of absolute right to have whatever it is that you want, a privilege, that that privilege belongs to you. What if we were saying to anyone who couldn't have a child: Well, you can't have a child, but here's a mum and child that really needs support. They live near you. [00:42:00] Could you take them into your wider group and help care for them? Would that be so difficult? You couldn't own the child, but you could still have a relationship. Why don't we pair people up? If you've got an alcohol problem, we pair you up with somebody through AA who's going to mentor and assist you. We do that in other areas. Why not this area?

Haley Radke: That's a beautiful picture, right? That's community. That's really like what it should be. Thank you so much, Barbara. I've really enjoyed our conversation. Is there anything, any other thoughts you want to leave us with before we do our recommended resources?

Barbara Sumner: In the end, as adopted people, we should be kind to each other, understand that we're all in really different places. We're not all on the same page with it. We all suffer the same loss of rights, but our relationship to those loss of rights is different. Each of us is at a [00:43:00] different place with it.

Haley Radke: All right. Well, I don't think it's a surprise. I'm going to recommend your amazing book, Tree of Strangers. Like I said earlier, it's so beautifully written. I loved it. I just said too, that we did a book club with you, so we read it together as a group, a lot of my Patreon supporters, and you joined us and we really deep dived into the book. I have one reader who is notoriously stingy with her five stars, but she gave you five stars.

Barbara Sumner: Oh, bless.

Haley Radke: Yes, bless her. So anyways, she loved it too. I want to encourage people too, if you want to see more adoptee writers in the world, and if you want to encourage fabulous books like Barbara's, make sure you're giving our authors reviews. Go on Amazon, Goodreads. There's all kinds of places you can review Tree of Strangers, and make sure you give it five stars. And you don't have to write a [00:44:00] huge paragraph. You can write two lines about why it was important to you. I really like to encourage folks to do that. It really can highlight adoptee authors and this excellent work. So, thank you so much, Barbara. Look how many book darts are in there.

Barbara Sumner: Oh my goodness.

Haley Radke: Yes. It's double the weight.

Barbara Sumner: Oh, it's hilarious.

Haley Radke: I really loved your book, so thank you so much.

Barbara Sumner: Oh, thank you so much. Yeah. Thank you.

Haley Radke: I would love to hear what you want to share with us today.

Barbara Sumner: Rather than a resource, like a book itself, I think the thing that I really want to share is that I get the most satisfaction and comfort from small groups of adopted people. And in New Zealand we have this group, Adult Adoptees New Zealand it's called. It's a little group on Facebook. It's a beautifully supportive place. We're not all on the same page all the time, but the underlying belief system of this group is that we're there to [00:45:00] help and support each other. And it is well moderated. So there are three women who moderate it, and they do a beautiful job. I think for me, it's that connection with other adopted people that really helps me, helps me to not feel so alone in the world. I do feel alone in the world, even with children and a lovely husband. I am alone because I may know my family and I may know my heritage now and my ancestors and all of that through DNA, but I'm not legally on my family tree. When I die, I won't be on my family tree. My death certificate will have my adopters as my parents, and that hurts me. So it hurts me not to belong where I belong. I'm out of place. It would be wonderful if one day all adopted people could be in place. [00:46:00]

Haley Radke: Thank you for sharing that. I, too, am such an advocate for community, adoptees supporting adoptees, who get it. I think it's so important, and what a beautiful way to frame it, even though it also comes with this melancholy. But it's true. We're disconnected and, actually I don't know if you can summon up my logo in your head. I'll see if I can show you here. But when I had my friend design it for me, I asked her to make sure this one leaf was completely disconnected, and I said, make it blue like a tear because we are separate. And it doesn't matter what we do, there's no trying to graft it back on and have it be the same as if we had stayed with our original families.

Barbara Sumner: Yeah. That's true. And then, of course, there is that dissension within the community often, and I don't see how we can expect it to be anything but, because we are disconnected from ourselves, [00:47:00] from our families, and it's very difficult to have relationships that aren't disconnected.

Haley Radke: Indeed. I'll try and do better, but we are what we are. What do you say, what do you say about that?

Barbara Sumner: Don't tell me about it. Yeah.

Haley Radke: Oh, dear. It's been such an honor. Thank you so much for your beautiful memoir, Tree of Strangers. It is five stars from me, too. Thank you so much, Barbara.

You can connect with Barbara on her website, barbarasumner (dot) nz, for New Zealand, and she's got links to her socials there. She has a newsletter you can sign up for so you can make sure to stay up to date with the goings on in Barbara Sumner land, which I encourage you to do. I have linked that in the show notes for you if you want to hear more from her. As I mentioned in the interview, she joined us on our Patreon Book Club. So if you go to [00:48:00] adopteeson.com/partner and join Patreon, you can have access to that recording. It's so good. I really just want to sit and listen to her even longer. I'm really thankful for her work in this space. And even if you are not there, even if her perspective on adoption is really more strongly than you feel, I have learned so much about just the language and how we talk about adoption to other folks, and really appreciated her perspective and work on this. You can tell she has honed in on the basic, most important messages that people will listen to. So I encourage you to read her book and follow her work.

And on that note, I want to hear from you. I am working on another Adoptee Remembrance Day episode. So if [00:49:00] you remember, last year was the first annual Adoptee Remembrance Day started by Pamela Karanova. Pamela came on the show to talk about Adoptee Remembrance Day and all the different things it's acknowledging, including adoptees we've lost to suicide, including the adoptee citizen rights issue, including the acknowledgement of adoption trauma and loss of our genetic families, all of those and more. And I would love to include your voice in an upcoming show acknowledging Adoptee Remembrance Day. So I have a link in the show notes. If you go to adopteeson.com/ARD, for Adoptee Remembrance Day, it will take you to a little website on your phone or your computer, and as long as you just give it permission to use your microphone, you can record a message and send it over. I will be [00:50:00] using some of those clips in the Adoptee Remembrance Day show. You have a couple of weeks to get those in to me by October 20th, so we have time to edit and craft that podcast episode for you. But I'd love to hear your voice. If you've wanted to be a guest on the show, but you haven't quite got there yet, this is an excellent way for you to share a little bit of your story or acknowledge maybe a friend you've lost or just comment on the importance of adoptee citizenship. Any message that you think adoptees and those who love us would need to hear.

And lastly, but definitely not least, I want to thank each of my patrons. You guys are making this show work. You are making it happen. Your money pays for all the costs of producing this podcast every week. I'm so grateful for you. If you want to [00:51:00] join them, adopteeson.com/partner has details. And you can hear from some of my too kind, way too kind patrons. I'm going to leave a little message from them for you here. They said it. I'm not going to put words in their mocguth. I'm going to share that with you now. But thank you so much for listening, and let's talk again next Friday.

Anonymous: The Adoptees On podcast connects adoptees throughout the world in a real and compassionate understanding of how we feel. When I listen, I am part of a tribe of people that truly get each other, led by Haley Radke, one of the most sincere human beings on the planet. I need to listen. I truly love our Adoptees On [00:52:00] community.

189 Tiana Nobile

Transcript

Full shownotes: https://www.adopteeson.com/listen/189


Alicia: [00:00:00] Hey, y'all. I'm Alicia from Winfield, Alabama, and I support Adoptees On because it is a place where I can hear other adoptees' stories in their own voices and I feel less alone. I've gleaned so many helpful resources from this podcast. I'm inviting you to join me in supporting this podcast so we can reach more adoptees around the world and they will also know they aren't alone.

Join me over at adopteeson.com/partner where any level of contribution helps. Thank you.

Haley Radke: You're listening to Adoptees On, the podcast where adoptees discuss the adoption experience. This is Episode 189, Tiana Nobile. I'm your host, Haley Radke. Today's guest is brilliant poet Tiana Nobile, whose recent collection of poems, Cleave, is an exceptional [00:01:00] exploration of transnational adoption. Tiana shares her story with us from the deeply personal struggles to her in-depth research on the problematic history of adoption. Tiana also teaches us about contronyms, and you will be in awe of the perfection of the title Cleave when she unpacks that for us. At the end of the show, I'll let you know how you can learn from her in an upcoming workshop on poetry for transracial adoptees. We wrap up with some recommended resources and, as always, links to everything we'll be talking about today are on the website adopteeson.com. Let's listen in.

I'm so pleased to welcome To Adoptees On, Tiana Nobile. Welcome, Tiana.

Tiana Nobile: Thank you for having me.

Haley Radke: It is my honor, and I was thrilled that I could be at your Zoom launch party for Cleave. There were so many talented poets reading as well. It was amazing. My favorite thing was how everyone just loved you and cheered [00:02:00] for you, and it was just like a love fest. Is that how that felt for you?

Tiana Nobile: Yeah, I think it was an extremely affirming and emotional night for me. I think especially growing up very isolated and not knowing very many other adoptees, being able to find a community of other adoptee poets has been so special. And I was so grateful to have them join me to launch my book into the world.

Haley Radke: Absolutely. Oh my goodness, what a treasure. All right. So I would love it if you would start. Would you mind sharing a little bit of your story with us?

Tiana Nobile: Sure. I was born in South Korea, and actually I thought for the longest time that I was born in Seoul, and found out later when I was working through my paperwork that I was born in Daejeon, which is a city south of Seoul. I left South Korea when I was six months old [00:03:00] and flew to JFK, to New York, where I was adopted by my family and I grew up on Long Island which is about 45 minutes outside of New York City. I grew up in Massapequa Park, which is a small suburb on Long Island, in a very Catholic, Italian American family. I also have two siblings who are also adopted: an older brother and a younger sister, who are also Korean. My brother was actually, though, born in Queens and adopted pretty soon after his birth. My sister was born in South Korea as well, and immigrated to the US as an infant.

Haley Radke: And so you said a Catholic family with three Korean adoptees. How did that feel for you growing up? What was that [00:04:00] experience like?

Tiana Nobile: So my family, I think, and very much how a lot of white parents were told when they adopted children internationally at the time was just assimilate, right? Treat them like they're your biological children, treat them like they're your own. So even though my siblings and I were all Korean, we never really talked about adoption. Obviously, it was something that we all knew because we looked different from our parents, and we knew. I don't have any memory of ever being told, sat down and told you're adopted. It was just something that was very much a part of our family story, but then it ended there, and we grew up not ever talking about race, not really ever talking about the complexities of abandonment and separation. And my siblings and I, one thing that I was [00:05:00] told by my family was that after they adopted my brother, they wanted us all to be the same. So they continued to adopt Korean children so that we would look the same, but then never actually had the tools to navigate what it meant to be Korean or what it meant to be a Korean American in a white family, in a very white, Catholic community. So my siblings and I, even though we are all Korean, we never really explored our Korean identity as a unit. It took me a really long time, not until my 20s or my mid-20s, that I started to really explore what it meant to be Korean for myself.

Haley Radke: And did you engage in conversation with them now in adulthood when you're doing those explorations?

Tiana Nobile: I think a little bit. They obviously know about my book and how a lot of my [00:06:00] poetry is about adoption and exploring the complicated nature of being a transnational and transracial adoptee. However, I think we all have very different understandings or different places in our understanding around adoption and self-reflection. So I don't think my siblings at all are really considering Koreanness as a major part of their identity, which I think has to do with the fact that in our family we were very much raised in this very white space.

I think, growing up, and this still sometimes happens, there's this weird sense of body dysmorphia that I experience when I look in the mirror and I'm like, Who is that? Or expecting to see a white face because I grew up surrounded by white people and also, as a child was teased or bullied for looking different.[00:07:00] So there was also this like craving to blend in or to fit in and a sense of self-denigration attached to my Asianness. So I think I craved whiteness for a really long time. And so there became this kind of confusion around my physical appearance for me that took me a long time to really accept the fact that, no, you're not white and that's okay. Actually there's something really beautiful about being Korean and what that means that I've been able to really explore and take ownership over in the last 10 years or so. But yeah, my siblings and I, we don't really talk about it, which I think is really interesting. I think we're at different places in our journey.

Haley Radke: What led you in your 20s, then, to explore? What did that actually look like for you? Because I was assuming that maybe it was them who were [00:08:00] inspiring you, but it wasn't that.

Tiana Nobile: I'd been writing for most of my life. When I was very young I loved reading, and I loved losing myself in a story. And then in high school, I started writing poetry, and then it was in college where I really started writing it more seriously. And it was interesting because when I first started writing and having workshops and things, I realize now in retrospect that I was writing very much around my adoption. I was writing a lot about masks and the body and my face melting off. Disembodiment was a huge thing that I kept on kind of skirting around. It wasn't until my senior year in college where I took a class with Cathy Park Hong, who's a Korean American poet and essayist now, that I really started to make the connections with the [00:09:00] themes and topics that I was writing about before and how that was connected to this idea of haunting related to my adoption. So that, I think, opened a door for me to write more specifically about adoption in my poetry. And as I was doing that, I was doing a lot of research, becoming more connected with the adoption community online and also reading a lot about psychology and relationships between children and parents and caregivers and attachment theory. And alongside that, I also was then opening myself more up to Korea as a place. I think before Korea was a place that rejected me. So in my response, I was like, I'm gonna reject it. I don't want to have anything to do with that place. And then as I got older, I started to really think about the nuances of that, right? [00:10:00] Like how it's not that simple. I can acknowledge and feel sorrow and rage about my abandonment and displacement, and I can also connect to a long line of history and culture and resistance in Korea that I didn't know about before. So all of this was happening simultaneously. And I also started a birth family search. So I think writing and research and learning more about Korea and biological family, all this was happening at the same time so it really opened up a lot for me.

Haley Radke: I'm sure. That sounds like a lot. Identity exploration is a whole thing for adoptees, plus the transracial, transnational piece. And you mentioned [00:11:00] exploring this feeling of disembodiment, and I'm wondering if you're comfortable talking about this. This comes out a little bit in Cleave. I'm wondering if you're comfortable talking about hair pulling.

Tiana Nobile: There is a photograph that I found of myself when I was 11 or 12 years old, and in it there's just a massive bald spot in the front part of my head, and when I saw it as an adult, I was confounded that none of the other adults in my family were like, What's going on here? Are you okay? I think I was also a nail biter. I acquired these kinds of compulsions, I think, to help try to manage my anxiety. Now, through therapy, I'm able to articulate exactly what was going on in my little child brain around I don't understand what I'm doing here. [00:12:00] Right? And feeling loved, but also feeling confused about what happened. Where did I come from? Like I mentioned, I felt very loved by my family; however, there wasn't space to talk about complicated feelings. And it was very Catholic, very repressed. I went to Catholic schools my whole life until college, and I just really absorbed the sense of guilt and shame and fear of sin, and that coupled with my adoption that I wasn't processing but was definitely carrying. I think the way that I was able to embody, literally, all of those confusing emotions was by taking it out on my own body, whether it be tearing my nails off or pulling my hair. [00:13:00]

Haley Radke: I'm just feeling for little girl Tiana because we don't know what's happening and I'm so glad you're able to process that now. When you share that in Cleave, I thought that's so brave. It's one of those things like sharing our pain; it gives other people permission to be like, Oh yeah. Okay. It's not just me. There's this, I don't know, validation. I feel like it's so important for us. So you mentioned doing a birth search. I've talked to a lot of adoptees about searching. There's a whole other layer when you're looking in a different country and you're in the States. You're like, How do I get my stuff? I don't even know. How did that start for you? Did you have other people guiding you? What was that like?

Tiana Nobile: So ever since I was a child, I knew that my father had this file in his home office that had my name on it. [00:14:00] In it was just a stack of paperwork that was all about my adoption. And as a young child, I would every so often go in and just pull it out and page through it. It was the closest I could get to an origin story, right? This paperwork. And at the same time, like I mentioned, there was a lot of shame and confusion around that whole transaction. For most of my adolescence, then, I really rejected Korea and didn't want to have anything to do with it. I remember a friend from college once reminded me, or recently reminded me, when she asked me if I ever would go back or was curious about it. I was like, Oh, no. Definitely not. But then as I continued to write more and explore more, I revisited the file with a new lens and started to read it [00:15:00] more closely and more critically. So many things happened through that, I think. Firstly, the file is such a strange archive, right? Because it's all about a human person, a human baby, and the language and the way in which they talk about me, specifically, is just so cold and sterile and clinical. And I was struck by how unfeeling such documents could be when literally talking about a person. And in my book I incorporate some of that language throughout my poems just to try to insert a sense of humanity and feeling and emotion into documents that are so bereft of that.

Haley Radke: I really liked how you [00:16:00] even included redaction marks because that's what, for so many of us, our paperwork looks like. Just a giant black strikethrough, like someone can know this, but not me. Someone can know this information, just not me.

Tiana Nobile: Exactly. I was just trying to call attention to the fact that there's just so much erasure that's happening, not only on a piece of paper but literally in our lives, in our bodies and our brains. That is just something that I feel like a lot of us adoptees are just pulling for and it's just so difficult to reach. So yeah, that being said, as I was looking through the papers, I think it just sparked me to initiate a search, which ended up being such a very long, drawn-out process. I'm reading Palimpsest and it's interesting to read about her process [00:17:00] and how many different people she had to speak to and what emails. It's very similar for me. I reached out to Eastern Social Welfare Society, which was the adoption agency in Korea, and I don't think they ever replied to me. Maybe they did, once, and they directed me to reach out to the domestic agency. I did that and there was a back-and-forth there for a long time. And then I connected with GOAL, which is an adoptee-run nonprofit based in Seoul that does a lot of advocacy and support for adoptees. But we ultimately hit a wall, and they said, There's no m- nothing else that we can do for you. And then I got connected to KAS, who's now been rebranded. So KAS is Korean Adoption Services. It's confusing to me whether or not they're actually part of the Korean government or if they're a subsect or a nonprofit that's affiliated with the government, but they're [00:18:00] a more official organization. And they have since rebranded to the NCRC, which is National Center for the Rights of Children, which I think is really interesting. And we had a back-and-forth that went on for two or three years. So it's just such a convoluted process, particularly internationally, because there's such a lack of communication and they send you down one rabbit hole and then eventually those two rabbit holes meet each other and you're going back up another tunnel and… But I will share one story that I think was a turning point for me: I feel like I had worked this file at every single page over and over, and then at one point I found a paper that I had never seen before. On it was my Korean name and my date of birth and some other details, and then it had parents' names. It had in the two spaces for mother and father's names. It was [00:19:00] whited out, but I could literally hold the paper up to a lamp and read it through the back, and was able to actually find out my biological parents' names for the first time, like they’re literally haunting my paperwork.

Haley Radke: I love that you shared that story because, okay, how do I say this? There are so many adoptees who had a veto placed on their records and so the names were supposed to be redacted, but there's always a place that they're missing. There's so many mistakes made. And like white-out, I was picturing you scratching it off, but you got it up to a lamp. That is so interesting. The other thing I wanted to say is I had written down a question to ask you about how you got your paperwork. I found it interesting you already shared that it was accessible to you. It was in your dad's office and [00:20:00] you could just look at it any time. And some of us stumbled on files when we were being snoopy, but it sounded like it was just open. How did you–I don't know how to word this–how did you take care of all of your files and paperwork and then as you added all your research? Because in Cleave, your poetry collection, you're looking at Harlow's monkey experiments. You have a whole poem which is just incredible about the Babylift crash from Vietnam. And how did you collect all those things? I'm just like visualizing piles and piles. I know what year we're in and we're in the same generation, but for some reason, the way you document things and show them in your collection and in some of the presentations I've seen, it's [00:21:00] very visual and tactile. So I would love for you to talk about that.

Tiana Nobile: I'm a meticulous researcher and it's something that I really love. Especially with the book and especially with adoption we have so many questions. Often a poem for me will start with a question, and then it's in the act of investigating that question that the poem just happens. And my file is a literal file. I do know it's 2021 and everything's digital, but I'm a millennial, I grew up having papers. So I literally had a filing cabinet and a file of Harlow's monkey and all my research that was just printed out and I had notes on it. My own file is literally a stack that I still sometimes will rediscover forms that I forgot about. Yeah, [00:22:00] I could talk a little bit about Harlow's Monkey. When I first started thinking more deeply and critically about adoption and the adoption industrial complex, I found this blog called Harlow's Monkey by fellow Korean American adoptee JaeRan Kim. And what I loved about that blog, I think, was it was one of the first places that I discovered where an adoptee was just being brutally honest about their rage and about their frustration, about their loss. And I just had never heard an adoptee articulate that before, and I felt so appreciative to hear it because, at least, I was brought up with this mentality of gratitude, right? And there wasn't space for us to feel anything other than that. So to hear other adoptees [00:23:00] articulate more complicated feelings around it was a breakthrough for me.

And then, also, the blog is called Harlow's Monkey after this series of experiments that were done in the '50s by the social psychologist Harry Harlow. So after I found that blog I was like, Who's this? Who's this guy? What did he do? And that kind of sent me down another wormhole, but it was so fascinating, his work. He was a social psychologist who studied the relationship between caregivers and infants, and he did this work primarily with rhesus monkeys where he separated them from their biological mothers and presented them with one of two surrogate mothers. This is his most famous experiment. But one made of cloth and one made of wire, and then he studied how that impacted their [00:24:00] psychological development and social ability. And the ones that had cloth mothers were much more well-adapted and social and felt safe, interacting with each other, whereas the ones with wire mothers that weren't getting any nurturing or any sense of comfort were very withdrawn and anxious, socially anxious. Using that as a metaphor for the adoptee experience around separation and maternal relationships, I found it incredibly compelling. Though then I learned so much more about him. His experimentation became increasingly more problematic as he went on to the point of pretty serious abuse of some of these baby monkeys. He would lock some of them in, I think he called it the pit of despair, for months in a black box and then [00:25:00] release them to see how they did. And to no one's surprise they were very troubled and traumatized. And interestingly too, I think, this man, who committed his life’s work to understanding relationships between caregivers and babies, was also an absent and alcoholic father.

So again, I think all of this research helped me develop a more comprehensive understanding around adoption. It's not gratitude or rage. It's not like one thing or the other. It can be all of these things, and it's complicated and it's messy, and it's also connected to larger questions of neo-colonialism and American occupation in war, like you mentioned Operation Babylift, right? And I think doing all that research helped me situate my [00:26:00] story within this larger framework.

Haley Radke: I have this quote from an essay you wrote, “Subverting the Script of the Adoption Industrial Complex.” You say:

"The possibility that the experience could be complicated, that an adoptee could feel both loved by their adoptive family and grief for their abandonment, that gratitude and luck have nothing to do with it, was far from accessible."

And so I really hear you trying to make it accessible for yourself, for other adopted people. When you were talking about those experiments. They are just bananas. And if anyone has studied attachment–that's frigging Psych 101–they're still teaching that stuff. And when the monkeys will literally choose starvation to have the comfort of the fuzzy mother versus nourishment from the wiry, pokey one. Ugh. When you really look at adoptees and some of the behaviors we take up, I'm like, [00:27:00] yeah, okay, relatable. But I don't really like it that you did those experiments to tell me that. Can you tell me how you are able to look at this research? I mean you're a poet, so feelings are a big thing, I think, for you. That's what comes out in your writing anyway. But as you're doing research, are you able to compartmentalize and take in this information? Or were you having some moments when you were doing this and just being like, Oh my gosh, has this impacted me? When you talked about the Babylift in that poem, I admit I didn’t think I knew what this is about so I started researching and I was like, holy moly. Do you want to talk about that? I'll let you explain that, and then also would you mention personal impacts on yourself when you were finding these things out?

Tiana Nobile: Yeah, definitely. So Operation Babylift [00:28:00] happened at the end of the Vietnam War. As the US military was leaving, they also started just picking up babies. There's actually a documentary, I forget what it's called. It might be called Operation Babylift, that I watched when I first learned about this history, where there's white women, white American women, I think they're from Catholic Charities or they're from some missionary, and they're trying to convince Vietnamese mothers to give them their children with promises of they'll have a better life. You can't take care of them, right? And obviously, as a mother I can't imagine, the world around you is crumbling. You're coming out of this brutal war. Who knows what's going to happen in the future? And there's this woman telling you that your kid could have a better life. And she's saying, I need to take them right now. [00:29:00] Also, a lot of these women were promised that they would reunite with their children later in the United States, and that never happened for a single one of them, as far as I know. In the documentary, one of the children, who's now an adult, goes back to Vietnam to meet her biological family. So yeah, they just corralled children and put them on planes and took them away. And the first plane that departed as part of this project, which was called Operation Babylift, crashed soon after takeoff, and yet that didn't stop them. In the poem I wrote that I think 78 children were on that plane and they all perished.

This story, though, is not unique, however, right? In Cuba, at the end of the Cuban Revolution there was Operation Peter Pan, where they [00:30:00] took Cuban children and brought them to the United States with the same kind of promises and ideas. So when Americans in particular are involved in situations of warfare and occupation, there's a pattern where after they destroy a country, they basically are like, Okay, well sorry, and we're gonna take your kids. There is a recent story in the news about the mass grave of children that was found at the residential school in Canada. Children as young as three years old were found there. That's something that happened in Canada and United States and Australia, as in all around the world where indigenous children were forced to attend these residential schools, taken from their families, in some cases given up for adoption, in some cases just forced to live at these boarding schools, and were punished for [00:31:00] speaking their native language, were punished for practicing any native traditions in order to erase their cultural ethnic heritage, and to the point of literal mass murder, right? So this is genocide, right? And I think the idea of what happens in transnational and in transracial adoption, taking children is the way to eliminate a culture, to whitewash them, transport them into white spaces, into Western families, is how you remove a generation. So I think it's enraging. Learning about all of this made me so angry. I think it helped me understand all of the parts of the white [00:32:00] supremacist machine, neocolonial machine that's at work that makes this happen. And I can feel loved by my family, and I can feel supported, and it's happening amid this, within this network, right? That doesn't care about me.

Haley Radke: Thank you for mentioning those things and calling them what it is. Let's say it: genocide. And the other thing I find really perplexing, I am very pro-family preservation, but is that the United States has taken to adopting out its own children internationally as well.

Tiana Nobile: I didn't know that.

Haley Radke: Oh, yes. Oh, yes. And it's mostly Black children. We can go down the rabbit trail. It's horrendous, but when you look at for-profit adoption and the prices for adoption [00:33:00] and white healthy infants versus Black children, they often cost less. And it's really...It's disgusting. Sorry, I have trouble talking about it because it's so problematic. It's horrible.

Tiana Nobile: And that practice has its roots in slavery, in the separation of families and the displacement of families. It's horrific. That's horrific.

Haley Radke: It is indeed.

Tiana Nobile: And instead of creating opportunities and support systems and resources for families to be able to stay together, like the women in Operation Baby Lift, like many Korean mothers. I've heard so many stories of Korean mothers who were talked out of keeping their children. So why is that the pathway instead of finding ways to support mothers and families to stay together? And again, the profit piece too, right? Capitalism [00:34:00] is also mucking up this whole situation.

Haley Radke: I think the piece here that, as adoptees, I really feel if you're hearing some of these things for the first time, if Tiana's saying some things or I'm saying some things and you're like, really? You need to know these things. As adopted people, we were a part of the system however our adoptions occurred, and I think it's really important to educate ourselves. Even if we're not the meticulous researchers that Tiana is, it's very important. I really believe that. And even if you're not going to use it to become an activist of some kind, which, you know, I'm all for that you should be even if you don't think you're going to be. Anyway, thank you for sharing those things. They're hard things. They're true. So it's important for us to talk about it even if it makes us uncomfortable, because it does. There are deep wounds there, and I feel for our fellow adoptees who've experienced that pain and the biological [00:35:00] families and the losses they've experienced.

We are wrapping up, winding down, getting to our recommended resources, and I'm going to admit this, I stole this. I did not know this word. I saw an interview with you, and the interviewer talked about how cleave, the word cleave, is a contronym, and I'd never heard of that. That's so cool. It's a brilliant title. Tell us what that word means and how you came to it? Because I'm very impressed.

Tiana Nobile: That interview was with my friend Henry, who's also a New Orleans poet, and I didn't know it was called a contronym either.

Haley Radke: Okay.

Tiana Nobile: He said that.

Haley Radke: Okay.

Tiana Nobile: I was like, Oh, there's a word for it?

Haley Radke: Let us give that guy credit. Let me see here. Henry Goldkamp. Yeah. Good job, Henry.

Tiana Nobile: I know, yeah. There are some other examples, for example, dust. You can dust on or off, right? Or execute [00:36:00] means you can carry something out or you can kill it. So a contronym is a word that has opposite meanings. So “cleave” means both to cut and to cling. And I thought it was just such a perfect word for this book that explores transnational, transracial adoption, particularly my own, in that I'm really grappling with what does it mean to cling to something that is severed, right? To be so almost obsessive about something that has cut you or has separated you. And I think that my adoption and the circumstances surrounding it is something that even if I haven't actively been pursuing my whole life in the front of my brain, it's something I've been carrying for my whole life. The book was an opportunity for [00:37:00] me to really dig into that space.

Haley Radke: Well, I absolutely want to recommend your collection. It's tremendous. I loved it. You share personal struggles. As I mentioned earlier, there is this lens of research that you bring in. I learned things that I didn't know and, trust me, I talk about adoption every day, all day. Apparently, that's my job now. I don't know how that happened. Your thoughts on Korea, your mastery of language, Tiana, my goodness. I can just tell, I mean I know you've got a couple master's degrees. You are just an incredible poet. I've seen the grants and awards that you've received, but it's just really tremendous, and I just highly recommend it.

The other thing I want to mention, I just found and I didn't realize that you had another, a chapbook. It's called Spirit of the Staircase. [00:38:00] Can you explain that phrase to us? Because I thought it's just so beautiful.

Tiana Nobile: “Spirit of the staircase” comes from a French idiom that refers to the moment when somebody says something to you that might be upsetting or insulting or even just shocking, and in the moment you don't know what to say. And as you're walking away, you're overcome by the spirit of the staircase: while you're walking away, you have that perfect comeback or that perfect retort, but it's delayed, right? So that's the idea.

Haley Radke: I'm sorry to say this. My husband and I have been re-watching Seinfeld for all the problems it has. There's a whole episode on this.

Tiana Nobile: Oh, really? ...

Haley Radke: George gets made fun of in a meeting and then later he thinks, oh my gosh, I should have said: The jerk store called and they're running out of you. And so this whole episode is him crafting [00:39:00] ways for him to re-have that moment and literally live it out. But I love this in the spirit of, I don't know how to say this. There's so many conversations about adoption, and you probably didn't even mean it this way, but this is the trail I took it down, that later I'm like, Ugh, I wish I would've told them this or I wish I would've said this. Especially when it comes to changing the traditional adoption narrative, that's saviorism, etc., and I feel like you're obviously working towards doing that whether on purpose or not. It seems like it's on purpose. So anyway, thank you for sharing that idiom. It's just really amazing that you called the chapbook that. I was curious, would you be willing to read something from Cleave for us?

Tiana Nobile: Yeah, I'd love to. I thought I'd read the last poem in the book. So in many ways I think this book was a way for me to tell my [00:40:00] story on my own terms. And as an adoptee, there's so much about my origin that is just a mystery. And this poem was a way for me to create my own mythic origin story, to imagine what it could look like.

Revisionist History

The weather in Seoul in October is bright and balmy. All the hospital beds are full, and women with thick arms and bent knees, feet in the stirrups, scream in an echoing

symphony. A woman with small ankles can't see beyond her bloated stomach. She keeps her eyes shut as forceps dig, doctor's hands twisting between her legs

like a corkscrew pulling out the plug. It's been a busy morning, and between heaving breaths she wonders, how much longer? First the head,

then the shriveled body, bright as a small sun. [00:41:00] For the first time in her life, she sighs and means it. That's how it happens in my fantasy. The movie I watch

on repeat, re-imagined myth of my birth. No. I emerge from seafoam flapping my tailfins in the Pacific froth. I washed ashore encased in mermaid purse, crawled on all fours

and learned the power of breath. No. I was stardust, an accumulation of space matter falling to Earth in tiny pieces. I'm still gathering my limbs. They're scattered all over the planet.

None of that is true. I was born in the airport, propelled through the gaping mouth of sliding glass doors. My father's second cousin ferried me down the stairs,

my mouth bubbling with Korean consonants, eyes still wary of sight. In the video recording of my arrival, the airport light burns everything so yellow it's purple. My grandfather's cheeks [00:42:00]

behind his glasses glow like round speckled eggs. I've watched the video so many times it's etched like a scar. I can feel my mother's yellow tears fall purple on my cheek. My father

tucks his upper lip inside his tongue. Years later I will learn why he does this: searching for words when the mouth is lacking, soft tears cradled in the pockets of his open eyes. What's

the difference between memory told and memory burned? I was born in the womb of a stranger, my face a reflection of somebody else's shadow. If I told you that I missed you,

would you believe me? Would I?

Haley Radke: Thank you. It's stunning. I wrote a review on Goodreads, just a little short one. I wrote: "Poems to savor." And I absolutely think that's so true. In this one, look at how many book darts I have. There's several. I don't like to write in my [00:43:00] books, but I love a book dart. Okay, there you go. Cleave, you have to get it. It's phenomenal. What would you like to recommend to us today, Tiana?

Tiana Nobile: I just read Surviving the White Gaze by Rebecca Carroll, and what a brilliant book. Have you read it yet?

Haley Radke: No, because it may be a book choice selection and for my Book Club later, so I try and read them a little closer, but I have it. It's here. I have skimmed a few things here and there, but I've heard wonderful things.

Tiana Nobile: I also have an adoptee book club of my adoptee poet sisters, and this is the book that we just read. I was just so touched by this book. I think it's so beautifully written. The way that she talks about her explorations of race and coming into herself in her young adulthood, I think is so [00:44:00] interesting and inspiring. I especially love the end. So she has a child, and how she talks to him about Michael Brown's shooting and how she talks to him about her white parent’s dismissal of her Blackness and of their whiteness even, right? And I just found that to be so inspiring. I don't have children, but it really made me think about how am I going to talk to my children about race, about identity, being a person of color in a white family? And I felt like she had a really great model for that.

Haley Radke: Oh, I appreciate you sharing that. My co-host for my Patreon podcast where we talk about books and other such things, she read it and she was just talking about it. We were just recording about it yesterday. And she mentioned that Rebecca Carroll's first [00:45:00] mother is white, and her first father is Black. And so even though Rebecca had this experience of connecting with her first mother, again, that still was with a white woman. And so I'm sure her insights are so helpful, especially for folks like yourself who were raised by white parents and didn't have that full experience of mirrors, etc., when you were growing up. So thank you for sharing that.

It's been such an honor talking to you. I'm so thankful that you shared your story with us and your time with us and wisdom. Where can we find out more, more events to come and more work? And where can we connect with you online?

Tiana Nobile: My website is tiananobile (dot) com, and you can also follow me on Twitter and Instagram at tiananob.

Haley Radke: Perfect. Thank you so much. As I mentioned at the top of the show, Tiana is leading a poetry workshop for [00:46:00] transracial adoptees at Hugo House with Leah Silvieus in November. You can find out how to register for that at tiananobile.com/events. And if you're listening to this in the future and that's already passed, I'm sure Tiana will have other opportunities there for you.

I am so thankful for my Patreon supporters. You heard a little clip of one of my dear supporters at the beginning of the podcast, and that's to encourage you to join us on Patreon. I know it's not an option for everyone and I always have the main feed show free absolutely as a resource for the community. But you know the show costs money to make, so I'm so grateful to supporters who fund the show. That's literally how the show keeps going. So if you want to join us, I have some thank-yous for you. There's a whole other podcast every single week called Adoptees Off Script over on Patreon, and if you want to [00:47:00] join us, it's adopteeson.com/partner.

We are in the middle of reading Trumpet by Jackie Kay for our September Book Club, and we have the live recording for that coming up right away at the beginning of October. And we're reading a couple other adoptee-authored books this year. Those gatherings are so fun. I'm just so thrilled about the community-building that's happening there and would love to have you join us, adopteeson.com/partner.

Thank you so much for listening. Let's talk again next Friday.

188 Ask Me Anything

Transcript

Full shownotes: https://www.adopteeson.com/listen/188


Haley Radke: [00:00:00] You're listening to Adoptees On, the podcast where adoptees discuss the adoption experience. This is Episode 188, Haley. I'm your host, Haley Radke. Today is our first episode back from a summer break, which I can tell you a little bit later on about. But I'm so excited to be recording again and chatting with you, so thank you so much.

I actually had several folks message me and say, We're sad that you're on a break, but it's such a good example for us in knowing that we can take breaks, too. So that made me feel pretty good about my choice to have the break, even though it did feel, probably on your end, maybe really long and, Haley, what are you doing? Are you even coming back? Anyway, I'm so glad to be back with you, and today we are doing something a little bit [00:01:00] different. It's going to be a solo show, and I'm going to do an Ask Me Anything. Last week, I asked my social media followers, so on Facebook, Twitter, and Instagram, @adopteeson, I asked if you had any questions for me. I collected a bunch of questions from folks, and I'm going to answer them.

This is to celebrate five years of podcasting, and there's been a lot of changes since I first started the show five years ago. Some of the questions are about updates, and some are like, I don't know, if you guys think I'm like some kind of wise woman or something. Some of the questions you asked, I'm like, This is not a question for me. So I'm going to skip those, but I appreciate you thinking that I could answer them. I come to the show, I'm a layperson. I'm not a therapist or anything, so it's just my opinions from my personal experience living as an adopted person in this world.

First, [00:02:00] I want to tell you about my summer break. I have two boys, and they are age seven and nine. And so it's this age where they're a little bit more independent and they still need you quite a bit, but definitely not as much as the early years. And so I've really tried so hard to shift my work life to fit in the times when they are in school, so that when they're home, like on summer break, I can be fully Mom and present and watching them grow up because, God, I hate the cliché: The days are long, but the years are short. It's so true. It is so true. When I started the podcast, I had a baby. My youngest was just a wee tiny thing, and it's amazing to me to think about how [00:03:00] I fit in recording around tiny people and preschoolers and toddlers. I don't know how I did it. Frankly, it was late at night, there would be lots of editing late at night.

When my Patreon started, I started using some of the money. Honestly, I paid a babysitter to come to the house so that I could work on the show for a few extra hours in the day if they were awake and such. Now I'm able to pay my editor and other folks. I'll tell you more about that another time. But I'm so thankful for the Patreon support because that's what has kept the show going, the money has kept the show going, which I'm so grateful for.

That is one of the big reasons I really wanted to have a break to focus on being Mom. So summer break was good. It was good. It was weird because of the pandemic and all of the things that go along with how it looks different in the world right [00:04:00] now. But I'll tell you about a really meaningful experience that I had. I was able to have a surprise birthday party thrown for me by my biological dad. They set this whole birthday party thing up. I really wasn't expecting it. I was very quite shocked but it was so special to celebrate with my siblings.

We've been in reunion for 10 years now, and one of the questions actually is about that, and I'll just read it here. This is from Sarah. She is a supporter of the podcast: "Now that you have been in reunion with your birth dad and siblings for several years, does it feel more “'normal”–whatever that is–or “comfortable?"

And my answer to that is, yes, it does feel more normal and it's just they're a part of our lives. They are Grammy and Poppy to my little ones, and aunt and uncle, and it's just for my [00:05:00] kids, they've always known them. So to our family, it's very normal and natural now, and so it was really special to celebrate a birthday with them and, honestly, I'll treasure that memory for a long time. I'm getting a little choked up just thinking about it.

So that was really beautiful. My stepmom, I suppose, made me this wonderful gluten-free cake. I'm pretty sure it was my first homemade gluten-free cake that someone else has made for me since I've been diagnosed celiac over the last couple years. So that was just amazing, a real treat. That was awesome. Totally awesome. The reason my break was not fully amazing was I had a good month, I would say, a good month full of grief, and here's where the adoptee thing comes in. Probably some of you can relate to this. [00:06:00] I actually was reading Barbara Sumner's fabulous book, Tree of Strangers. We did a Book Club episode about it on Patreon, and I hope to have her on the show this fall sometime. Anyway, it's just a really amazing book, and in the story, I won't spoil anything, but it's her memoir and something tragic happens. So I went straight to Google and googled my maternal side. Do you ever do that? You don't have to tell me, but I know that a lot of us do this if we're not in reunion or anymore, if we've been cut off. And I googled her name and found out that my maternal grandfather had passed away in June. It was such a weird experience because, first of all, you're finding out by googling, which doesn't feel good, and it had happened [00:07:00] already a month prior and the service had already happened. It was just done. And for me, he was the first person to welcome me back in to their side of the family. When I wrote my letter to introduce myself once I had my adoption records, they still lived in that family home from when my first mother was a teen. And so I wrote to them, and he was the first person to email me and connect with me. He was so excited, and I had such welcoming messages from him. I probably read some of them in my first episode about myself in Season One. I don't know. I'm not going back to listen to that because I just... Too many feelings. I also kept in touch with him longer. Once my first mother cut off [00:08:00] contact with me, I would see him, I don't know, probably not even once a year, but semi-annually and occasionally would get an email from him. So we kept in touch the longest, and I really thought that at some point I would get to introduce my kids to him, that he would be the reconnection point. So to find out that he was gone, it just felt so final and icky. I don't know. I really was in grief, mourning him and mourning the loss of the thought he was going to be my way back in. I don't know if that was naive, but that was always in the back of my mind. So that was really sad.

And the other piece of that is, who do you tell that to? I didn't want to go to my friends with that. The only people I told were [00:09:00] my adoptee friends, my closest adoptee friends, and they got it and they cried with me. I didn't tell my in-person friends who aren't adopted. I think I've only told one or two of them, and it was much later, because I didn't want the questions. I don't know. I don't really have friends that would be super insensitive because they all know what I do and such. But I just still had that fear that they wouldn't get it. Like, you’re not allowed to be in so much grief because you didn't really know him. So what if you weren't mentioned in the obituary? So what if you're a family secret? Duh, did you expect to be? None of my friends would have really said anything like that, but that's the fear, right? That if you're real about how much you wanted that relationship and that it's just gone. Yeah, it's painful. Painful to think about.

So yeah, that was a big wrench in my summer [00:10:00] because once you switch into grief mode everything else just is hard. I've struggled with depression for a lot of my life, and I'm not depressed right now. I feel much better and I do feel like I was able to grieve. But luckily it was the advice from fellow adoptees saying, Okay, why don't you write him a letter and say your goodbyes that way? They kept me from reaching out to my maternal family when I, on impulse, wanted to do that, because they're grieving their dad. They're grieving their partner. I was like, Yes, that's right. It's not a good time. So I really appreciated that support I did get from my fellow adoptees.

So yeah, that was a whole thing. You know what? Being adopted is a whole thing. And if it's not one thing, it's another, right? So this connects to a question I got [00:11:00] asked by Angela. Thank you. She says: "Do you ever regret starting Adoptees On?"

And in moments like this, where my first family could listen to this podcast and hear my real thoughts on adoption and the challenges it's brought my life, I worry that if they had heard this, this was the last nail so there'd be no opportunity in future to have a relationship with any of them because of this work that I do and what I've brought into the world with this podcast.

So that's a regret. And it's very brief because I think that the connection Adoptees On has brought and the openness and transparency it hopefully has brought to many adoptees about [00:12:00] actually examining the impact adoption has had on our lives, I think if that was the price I had to pay, I'm willing because it's so important. From what I've heard from listeners, that the show has had such an impact on your healing journeys. Even if it cost me that connection, the possibility for reconnection, I think I still would have gone ahead. So hopefully past Haley would have been brave enough for that. So I really…yeah.

It's a tough question, right? Do you wish the thing that you brought into the world, do you wish you had not done it? No, I don't regret starting the podcast. The only moments I really do are late Monday night. If things are not ready yet to go to my editor, then I'm like, Ugh, Haley, [00:13:00] why? Why are you so late? Then I might regret it in those moments.

On a lighter note, someone sent me a private DM and asked: "Are there any books, adoptee- or non-adoptee related, that you read this summer that you can recommend?"

Okay. My favorite book that I read this summer, and I'm so sorry if you're like, Oh my gosh, of course, everybody read that book. Whatever. I loved it. Project Hail Mary by Andy Weir. It was so good. I told Nick, my husband, that if I could re-read that book and be surprised all over again, like re-read it not remembering the first time, I would give anything to have that experience over again. It was so good. I don't usually really read sci-fi books, really. I love psychological horror, scary [00:14:00] stuff, whatever. It just is what it is. But I loved that book so much. I'm not going to say anything more about it because I don't want to spoil it. But even if you're not super into sci-fi, it's so interesting and it's just very captivating. It is a page-turner if there ever was one. So I loved that book.

And adoptee-related this summer, I already mentioned that Barbara Sumner's book, Tree of Strangers, was excellent. Excellent memoir. I absolutely loved it. And yeah, that would probably be my top one I read this summer. We've been reading a lot of adoptee-authored books in our Patreon Book Club so if you go to adopteeson.com/partner and join Patreon, all the recordings from our Book Club are available and they're such good discussions. So sometimes we'll have the author with us, like Barbara did, as a guest. We got to ask her questions about the book. And then sometimes we [00:15:00] have a panel of adoptee readers with us and that is so fun because I'm just like, Oh my goodness, y'all are so insightful and you pull out all these things about the book that I never would have seen and the symbolism. It’s just so good reading adoptee books with other adoptees. They just see into them and pull out all this symbolism and I'm just so impressed. I have so many smart readers reading along with us. It's just such a treat. That's one of my favorite things that we do.

Grant asked on Facebook: "How's the best way to find a counselor that is an adoptee in the area you live in?"

So I actually did an episode, it's probably my only other solo episode (that's so funny) way, way back. Okay, so you have to scroll super, super far back. It's Episode 32, How to Choose a Therapist. So [00:16:00] I talk you through how to find an adoption-competent therapist. At the time, I don't think I was pressing for adoptees who are specifically therapists, but now there is a fantastic list that if you are an adoptee therapist, you can self-register on this list. So if you go to growbeyondwords.com/adoptee-therapist-directory, or search “adoptee therapist directory” in Google, you can find this great list. Now, it is American, and I know I have listeners outside of the States, so yeah, give Episode 32 a listen. It gives you some tips on what kind of practice to look for. I think the practice I found, they work a lot with foster kids, and so they are trauma-informed and [00:17:00] have an idea of that. My psychologist, she's not adopted but she's very up on attachment trauma and trauma-informed practices. She's excellent. You might not find an adoptee who is a therapist in your specific area. Lots of folks now are doing online work as well. They even do EMDR online, which is amazing. So there are so many more options. I hope that will be helpful to you. Those two things: the Adoptee Therapist Directory and Episode 32 of the podcast.

The next question is from Susan: “I notice many adoptees reclaiming their names or part of their names on their original birth certificates. Is that something you have ever considered?”

I actually love my name, Haley, and I got married super-duper young. I was almost 21 when I got married. And so I [00:18:00] took my husband's last name, and so I've never really considered it. I do know what my name was at birth, and I think of it sometimes, but I'm never like, Oh, that's really…. it doesn't feel like me. The other thing about my name that I was given at birth is it has similar letters to Haley, so I'm like, Oh, it's connected. So I feel like I have a little bit of that. I've only thought of it in ways of trying to reclaim my own identity in some way. And I feel like I've done that more through figuring out my preferences and what I really like and what I really want. I know it sounds silly even just to say that but, truly, so much of my life I just went along with whatever other people were doing because I wanted to stay connected and not give a [00:19:00] reason for rejection and those kinds of things. So that's more how I've done my identity reclamation, I feel, just really getting to know what do I want versus changing my name.

However, whenever I see someone change their name. It just happened in the Patreon group a little bit ago. One of our beloved members changed her name, and I got so excited for her and literally felt this huge... I don't know. There's this surge of pride in the bravery it takes. I just felt so happy for them. And I had another friend change his name last year, I think, and whenever I think to call him his old name, I'm like, no, he has a new name now. And it feels, I don't know, powerful to call him his new name. So I love it. I love it when people do that, and I realize it's not just this fun post that you can put up and be like, Oh, I changed my name. There's more to it than that, and [00:20:00] it's complex. But I think it's so amazing when folks do that.

Paul asks: "Do your emotions or will our emotions ever quit churning?"

Not for me, Paul. They’ve never quit churning. About adoption stuff, I think it's ebbs and flows. I really do. And I know it's very personal to each person. I mentioned earlier that I have struggled with depression on and off throughout my life, and I'm in a better spot right now, but there's always this knowledge that the depression could come again. So I'm just more cognizant of that and aware of it, and I try really hard to be like, okay, I know this, these are some of the signs. I know I need to intervene right now before it gets worse and look for support. So I feel like maybe more awareness comes over time, [00:21:00] but, I'm sorry, we're humans. We're humans. And just being in the world has a huge impact on us living our lives.

Of course, we're going to have feelings. I do see folks, though, that come into the community and some of the language we use sometimes is coming out of the fog, right? They'll realize the impact adoption has had on their life, and then they'll go through it and process, hopefully with a counselor and hopefully with an adoption competent therapist, and get trauma-informed treatment, and they heal a lot of things and figure out good strategies for boundaries within their relationships. All those good things. And then they come to a point where they feel more whole. I see it go both ways. They either decide [00:22:00] to stay in the community and become more active and maybe are working in legislative work or just trying to support adoptees in various ways, maybe through searching or helping, helping them along out of the fog or accessing resources. And then I also see those folks that they're like, Okay, adoption is not my whole identity and I feel much more whole and able to function in this world as a regular human. And they move on out of the community and go back to their life and just carry on. Adoption is a piece of their identity but it doesn't become this whole identity.

I think both of those things are healthy and, honestly, I'm like, "Good for you. You're out. I cheer for both of those things. Boy, that was a long answer to that question, but yeah. Yeah. No, you will always have feelings because you're a human being.

Okay, I love this question, [00:23:00] and I've had a little bit of time to think about it, but I hope that in a month or two from now I'll have a way better answer, okay? So this is just what's top of mind for me. If you have an answer to this question, I want to hear about it too. Maybe post below if you see this episode artwork on Instagram or Facebook or YouTube, post below what your answer to this question is.

Kelly from Patreon asks: "If you had a million dollars, what is the first place you would invest in to help the cause of adoptees?"

Kelly, I love this question so much. Honestly, my first go-to, and I think this is just my bent, is adoptee mental health. To me that looks like paying for adoptees to go to adoption-competent therapists. That looks like helping folks who are needing [00:24:00] recovery programs so that they get adoption-competent support. That really is investing in our mental health. It is so important to me, and building community is one piece of that. But you know how many times I say if you can afford it, please be in therapy. And it's just everything else in your life can change if you can come to a place of wholeness. I just really believe that. And, if there were so many more of us who were feeling well and able to serve out of this place of mental wellbeing, we could do such great things together. I really feel like it because there's so many things, hurt people. Traumatized people traumatize people. There's so many nasty things we see happening in the shadows and in adoption land [00:25:00], sometimes in the forefront, and I feel like if we had more wellness, that would have a really big impact. So there you go.

But I would love to hear from you guys what you would do with a million dollars for the cause of adoptees. Love that question, so good.

Oh, this question is from Damon Davis from Who Am I Really? He has a fabulous podcast. I've been a guest on there and he's been a guest on mine.

Damon says: "Could you share how your mindset about adoption has changed from Episode 1 to now? Did you have any misconceptions that have been realigned? How has your mind changed on any adoption-related issue?"

Well, from the beginning of the podcast, I really started it when I was feeling lonely and I really wanted to connect with other adoptees who were going through the tribulations of reunion and reconnection and what that looked like. [00:26:00] I had no idea about transracially, transnationally adopted folks. I had no idea of the race issues in adoption. I had no idea about the depth of human trafficking and the money side. And I was just starting to learn about all the really gross things about adoption. I'd really started coming out of the fog but I definitely wasn't fully. So I have become much more vocal about family preservation. That's really changed. I have become much more outspoken about the ethics in adoption and can adoption even be ethical? Is that a possibility?

So I feel like I have become fully radicalized for adoptees being number one [00:27:00]. I have had so many people be like, oh, Haley, it would be so great if you could interview an adoptive parent and really connect with them and let’s build unity. Like all those kinds of things. I'm like: Listen, there are people doing that. I am here for adult adoptees, period. That is fully me. There are people who are wanting to do that and talk with all the constellation and whatever. My whole thing is supporting adult adoptees. I hope that we get well. I hope we get the mental health supports we need. I hope that we get adoptee friends who we can connect with who get it. I hope that we start adoptee support groups so we can reach out with the things that we've learned ourselves. That's my whole thing. [00:28:00] Also, I didn't realize I was going to go that direction. I’m just an adoptee advocate. That's how my mindset shifted, to fully have adoptees as number one. And I know that sounds silly because my show is called Adoptees On and I've only ever really interviewed adoptees with very few exceptions. But yeah, that's the radicalization of Haley over the last five years. That's funny when you think about it.

Okay, next question from Beverly: What were your childhood fantasies about your birth family?

I think I always had the, "Oh, they're probably famous." "Maybe I'm a princess." I think when I was young, much younger, I really felt that, maybe up to age 10-ish or something like that. So maybe the age as my kids are right now. I had those kinds of things, and then in teenage years, the [00:29:00] fantasy always was that they would come back and scoop me up and save me. I really remember feeling that a lot. So I don't think I had any specific people in mind. I love the interviews where people are like, Oh, I always thought this celebrity was my mother or whatever. I love hearing those. But I never had a specific person in mind.

Lisa asked: "Do you have an elevator pitch to use with non-adoptees to describe your experience as an adoptee?"

This is such a great question. I love it, Lisa. I think for me, personally, now what happens is I get asked what I do. So this happens a lot at school, waiting around in the parking lot for our kids to come, and moms will ask me, Oh, do you work outside the home? That kind of a thing. And so when I answer, "I'm a [00:30:00] podcaster," that's also super awkward. Just so you know, it's awkward to tell someone you're a podcaster, because what is that? So awkward. I'll be like, Yeah, I'm a podcaster, and then they'll be like, Oh cool. What's your podcast about? So this is my go-to answer. I say: “Well, I'm adopted and I speak to other adopted folks about what adoption has meant in their lives. Sometimes we talk about searching for their biological family or a union or the complexities of that, and it's a really complicated issue and there's more to it than what most people would think about adoption.” That's what I lead with in the parking lot. When it is a new friend and we're diving more into that, I often will say: "Adoption's really complex and there's actually a lot of loss and [00:31:00] pain and most people don't see that at the surface level. So that's something I really would love people to know." I don't know if that perfectly answers, but I tell you what, it opens the conversation. If you're willing to go there, it definitely opens the conversation because a lot of people are like, Oh, really? Tell me more. Because they're confused and a lot of people have never heard that perspective. So only if you're willing, only if you're feeling strong that day. I don't always recommend doing that if it's not a good day. But I'm getting more confident about answering it. And yet I still hesitate if I don't feel like getting into it that day.

Eliana asks: "How has doing this podcast affected your thoughts, feelings, and healing from your adoption experience?"

I appreciate that question so much. It's good for me to reflect on [00:32:00] that, and I think, painfully, it uncovers more and more unhealed things in my life over time that I need to address. So that's good and bad, right? It's great to be like, I'm good. Everything's fine now. I've worked through these things. And then I'll have a guest share something and I'll think, Oh, ooh, I guess I have another thing to talk to my therapist about. So it's really taught me more about myself and how much more, how much deeper I can go into places that are wounded and that I have pushed down for a long time. And I think, we had a whole lifetime of piling on the gratitude and fake personality [00:33:00] and trying to fit in and trying to make it look like everything was good and being perfectionist. I don't know. Am I describing you, too? This is fully me. We had years and years, like decades of that, and so when you think about unpacking all of those things, it's going to take a long time. So yeah, that's good and bad, right? I often apologize to new people who share that my show has helped them come out of the fog. I'm like, I'm so sorry. Wasn't it nice in there? But most people will respond to me like, Actually, no, I just want to live in the truth. And so for me, I do feel the same way. Even as painful as it can be, I do just want to live in the truth. In the truth.

Okay. I've done this question several times over, and I am not sure exactly how to word this. [00:34:00] So I had a couple folks reach out and ask about a situation that's been happening in the last couple weeks in adoption land, and I don't feel super comfortable making a public statement, although this is public, I get that. But I do want to say to you that I, too, am a sexual abuse survivor, and so I stand with survivors. So I see you. And I hope that you can trust and know when you hear me say that, so sorry for the pain that you and I have experienced, and I know that there's many adoptees who've experienced that, and I'm so sorry that you had to go through that. [00:35:00] And to see things publicly splashed around on that topic is harmful, abusive, horrible, I don't know what else I can say about that, but I stand with survivors. I'm sorry, I can't say more than that because it's just really painful, and I feel like I share so much, way too much at times, especially on Adoptees Off Script on Patreon because it feels safer, like not as many people are listening. Once you say something like that out loud you just can't take it back, reel it back. So it's felt very scary to say anything about it, but I wanted to say something because I don't want you to think I'm ignoring it. I see you, and I too deeply empathize.

Oh, take a deep breath with [00:36:00] me. Let's move on to a little bit later. I had Dale ask on Twitter: "What are your plans for the coming season of Adoptees On?"

Thank you so much, Dale. I am going to go in a few different directions this fall. I have a Patreon supporter who, amazingly, sends me academic articles every single month on adoption-related topics, so I have a huge stack of articles from various journals that I've been reading through and finding amazing researchers and fabulous academic authors that are talking about adoption topics that are important to us. So I'll be reaching out to some of those folks, and I hope to be able to share some more academics with you. I also am probably going to revisit estrangement, just a [00:37:00] brief couple of episodes on that. I had a few more people reach out to share their story on that topic, and it seemed to really hit a nerve. Unfortunately, there's a lot of people navigating that right now, so we probably will touch on those again. And then, this feels scary to say out loud. What could be scarier than what I just shared with you all? But I really have wanted to for a while do a series on spirituality, and I know even saying that, you're like, Oh, gross, I don't wanna hear about religion, but I don't ever mean it as proselytizing kind of a thing. I think that adoption and spirituality can be really intertwined, and I've seen some really fascinating things happening with that. So I've seen, I feel like maybe this is most common, I don't know if I'm [00:38:00] putting too much on just who I follow, but a lot of adoptees that were adopted by religious families in the name of religion–so adoption out of some social justice kind of spirit, especially in Christianity–a lot of adoptees who have been adopted into that sort of family have completely walked away from the Christian faith because that pain is so interlinked. So I find that really interesting. And then I've seen adoptees who search for their biological roots and find out that their original families had a completely different religion than the one they were raised in, and they will sometimes convert to their original family's religion, which is also so fascinating. So I think there's a big theme wrapped up in there, and [00:39:00] I really want to explore it. How do you talk about that? It's such a fine line, right? How do you talk about that and still make sure you, as a listener, feel included and not necessarily triggered or that you should definitely be what I am because it's so good. It's not for that purpose. So I know even saying it, I'm like, oh, I hope you trust me with that topic. I think there's a lot for us to unravel there together.

So I'm looking at that and then, of course, there's just so many adoptees bringing amazing, creative, just beautiful, powerful works into this world: books and films and just fabulous things. I'm so impressed by what the community has been making and so, of course, I'll be bringing [00:40:00] you some of those folks, too. If there are adoptees that you would love to hear on Adoptees On, please comment on one of the show posts or send me an email because I don't know everyone. I know this small portion of folks in the adoptee community, so don't be sure that I know them or have them on my interview wishlist or whatever. Don't assume that every day I'm like, Oh, I didn't know this person was on here, and I find people every day. So if there's someone who you really want me to interview, make sure you let me know. I'm always looking for new, interesting stories.

And I mentioned in my little secret audio drop–if you were subscribed to this podcast, it would have dropped in your feed last week, but it should be gone now if all my technology worked– that I did open up applications to be on the podcast. If you go to adopteeson.com/application, you can [00:41:00] see how to apply with the caveat that I can't take everyone. Unfortunately, because I get hundreds of submissions and I only do forty episodes a year-ish, so the math just doesn't add up, and one of the most painful things is not being able to interview everyone I'd like to. It's a big sigh just thinking about that. But don't let that stop you from applying. I would love to hear your little audio recording and see your form, and please do apply if it's something that you want to talk about, especially if it's estrangement or spirituality related, or if you have a new project that you really want the adoptees to know about. I'd love to hear from you. If you are an adoptee therapist and serving adoptees and you have a topic or you have some cool thing we should know about, please apply. Don't be scared. I'm not scary, I swear. [00:42:00] I cry a lot, so if that's scary, then yes, I am.

But the last thing I wanted to tell you about is some of the new artwork you're going to be seeing as new episodes are coming out. So last year I commissioned a fellow adoptee, Jessica Sun Lee, to paint a watercolor for me of–how do I describe this? It is a leaf turning into a tear. And I will post it with this episode. In my original logo for Adoptees On, there is a tree in the middle, and it's the T of adoptees, and it's green. You'll notice there's one blue leaf at the top that is disconnected. And I always wanted that leaf to look like [00:43:00] a tear to represent the adoptees separated from their original family, separated from the connection to the tree and the roots of our legacy. And, Adoptees On is about exploring that pain so that we can get through it and either reconnect in a healthy way or rebuild our own identity in different ways. Really, I don't think I've ever talked about this on the show before. About that meaning behind my logo. It was so important to me, and the friend I asked to design the logo and everything, I said, "Listen, it has to be separate. It cannot be touching. It has to be blue." I was very specific about all that, and I always wanted to do something with it. So I asked Jessica if she would do a watercolor to represent that, and she used the green and the blue [00:44:00] to connect in. And I like looking at it sort of both ways. The leaf, falling away from the tree, means sorrow, so it goes into the tear shape at the bottom. And also that from our tear, from our grief, can also go back into growth and healing into the leaf. So for me, it goes back and forth. How am I doing explaining this in an audio medium? Is it okay? Because I'm like: "It's so pretty. The colors are so beautiful." This beautiful green and blue and teal, and it all just goes together, and I love that it's watercolor because I always felt when you see the tear drop on a page and it changes the colors underneath. Oh, there were so many symbolic things in there. I'm sure if it was a Book Club, some of my readers would be able to tell me even more [00:45:00], the depths of the meaning behind that. But, if you see the new artwork and it has those dark blues and greens and aqua and those kinds of colors, that's where it comes from, the leaf/tear that Jessica painted for us.

The last new thing I wanted to tell you about is you will be hearing from some of my Patreon supporters and some of the folks who've been on the show before telling you about what Adoptees On means to them. So that'll be a little bit of a new change this fall. And I just really want to find ways to encourage you to join our Patreon. So if you go to adopteeson.com/partner, you can find all the extras that come along with being a Patreon supporter. And I always want to make sure this main feed show is free for anyone to access. I'm never going to put it behind a paywall. It is [00:46:00] a gift to the community from me and my patrons. They are saying with their money that they want this podcast to be out and accessible in the world and supporting adoptees the best a podcast could, knowing that therapy and those things are not accessible for everyone. The podcast isn't therapy, but hopefully it will lead people towards working on our stuff, me included. Anyway, I'm thankful to patrons. Without your support, I can't keep making the show. I can't grow it. I can't do those things. But with your support, I can. I can hire other adoptees to do work on the show, and I have been able to do that, like commissioning Jessica to do this teardrop leaf artwork.

And there's going to be a few new articles on adopteeson.com soon. Maybe they're already up when you're listening to this. Hopefully. If I got my work done this week, they will be. But a fellow adoptee was able to [00:47:00] write those for us, and I was able to pay him for his work, because I always want to pay people for their work. It's so important to me, and to be able to reinvest it in the community is top. Love it. Love it that I'm able to do that. So, please, I'd love to have you as a Patreon supporter. There's Book Club. We've been doing Adoptees Off Script Parties with Pam Cordano, one of the therapists who has been on the podcast, and that was so fun. We just did our first one. The next one's coming up in November. Love to have you included in that. And then you get a whole other podcast every single week, which is bananas that I do that, but Adoptees Off Script, where most of the time my co-host is Carrie Cahill Mulligan, and we talk about what's going on in our lives. We talk about adoptee news. We have the Book Club replays there, and sometimes I'll have a special other guest and we just talk about adoptee stuff all the time. [00:48:00] And then we always wrap up with a fun thing. So instead of doing a recommended resource, we talk about what we're loving right now. And you get to hear about my bad taste and fun recipes and what podcasts I'm listening to and all those things. So it's a thank you gift for patrons and it's so cute. There's so many of you guys that listen. I just bless you for listening to us. It releases Monday mornings. So often folks will be like, Oh, I have my Monday morning coffee with you and Carrie. And I love being a part of your life in that way, and so I love being a part of your Fridays like that. I have so many fun people to introduce you to this fall and beyond. I hope you can hear I'm excited, because I am.

I'm so glad I get to do this for you. I'm honored that you invite me in and that I can be in your earbuds or through your speakers, however you're listening. Thank you so much for [00:49:00] listening. Let's talk again next Friday.

187 Dr. Liz DeBetta

Transcript

Full shownotes: https://www.adopteeson.com/listen/187


Haley: You are listening to Adoptees On, the podcast where adoptees discuss the adoption experience. This is episode 187, Dr. Liz DeBetta. I'm your host Haley Radkey. We are coming to our summer break. What better note to end on than this encouraging episode with Dr. Liz DeBetta. Liz has been on the podcast before and shared her story of coming to her late thirties before examining the impact adoption had on her life.

Today, though, we are strictly diving into one of her areas of expertise, which is using writing as a tool for healing. Writing is accessible. It has physical, emotional, and mental health benefits. Writing can help us create a new narrative for ourselves. Liz recently led a group of adoptees through a transformative writing group, and she shares with us some tools we can use to start our own writing practice.

We wrap up with some recommended resources and, as always, links to everything we'll be talking about today are on the website, www.adopteeson.com. Let's listen in. I am so pleased to welcome back to Adoptees On Dr. Liz DeBetta. Welcome Liz.

Liz DeBetta: Hi Haley. So good to be here.

Haley: I'm so excited to talk to you. The last time we talked was episode 118, so you can scroll back. You were still working on your dissertation, so I was so, like, pumped when you put “Dr.” on your paperwork because you're done. Woo!

Liz DeBetta: Yes, it's true. I got done in, you know, in the midst of the pandemic.

Haley: So you're still planning the party then?

Liz DeBetta: Yeah, we had a Zoom party with a bottle of champagne and some takeout sushi and a few friends on Zoom and that was pretty much it. So yeah, there hasn't been a big in-person celebration yet, but a good excuse to have one.

Haley: That's right. Absolutely. I'm going to point people back to that episode to hear some of your story and the background on how you got to doing some of the things we're going to be talking about today. But I would love it if you just give us a little intro into who you are, and how you got to the point where we are now for adoptees to be writing as a method of healing.

Liz DeBetta: I have been writing since about the age of 14. I had a really smart, insightful teacher and coach who knew that I was going through some stuff. I can't, I don't recall if at the time he knew that I was adopted.

I'm pretty sure that he did. But either way, he knew that I was dealing with some really big feelings, and so he suggested I start writing poetry, which at 14 years old, I really thought was the dumbest thing in the world. Because poetry, like, who writes poetry? Come on. And then one day, we were sitting in his office and he read me this poem that he had written for his college girlfriend and the poem was called “Blue Fire.”

I'll never forget it. It was a poem that he wrote while he was on a date with his girlfriend. He had taken her to see the ballet, which was her favorite thing. And he spent more time watching her watch the ballet than watching the ballet himself. And he wrote this poem about it. And I was profoundly moved by this experience of this man sharing this poem with me.

And then from that moment I was like, oh, maybe this isn't so dumb. So I got a little colorful journal notebook and I started writing. And at the time I didn't know why I felt the way I felt. I didn't know why. I was depressed, I was sad, I was angry, I was confused, I was scared.

All these things. And I just wrote, and it was for me. I never shared any of that with anyone. And so I did that for a lot of the years. Any time the world got too much for me, or my own feelings got too much for me, I would just go to my notebooks and I would write. And stuff just sort of came out.

It wasn't anything that I was ever really super conscious of. Yeah, I mean, it is a conscious process, but I also feel like there's something really unconscious about a lot of the writing that I was doing, especially early on. And I have a theory about that, which I'm still playing with just from an academic, theoretical, scholarly standpoint.

But anyway, I did all this writing and, in retrospect, it really helped keep me balanced. It helped me organize the really intense feelings that I had. And gave them some place to live other than inside me.

And so, fast forward, all of these years later, when I got into my PhD program, I didn't really know where that journey was going to take me, but I did know that I was really interested in continuing to pursue creative writing as one part of it.

And one of the courses that I got to take in my program was Poetry for Healing. And it's a whole field. There's a whole field of poetry and writing for healing that I didn't even know was a thing. And I was like, this is the thing I've been doing my whole life. I've been using poems to help myself manage the difficult stuff.

And so then, when I learned about all of that and I learned that there are actually physical and emotional and mental health benefits to writing through grief, writing through pain, writing through trauma. Writing about it and making sense of it. I was like, oh, this is so exciting. And again this is the thing I've been doing.

And so then, as I moved toward thinking about my dissertation, which was a creative dissertation, I decided that I wanted to do an exploration of some of my early writing. And as I looked back through some of my first poems,

Haley: Because you kept all your journals and things, right?

Liz DeBetta: Yes, of course I did. And I will tell you something. Not one of them is finished. They are all from different parts of my life and I have never completely filled one of them. And I think there's something really telling about that, because I think we're always on a journey and we're always unfinished, right? So it's a metaphor for that, I think, in those notebooks.

But yeah, so I started going through these early poems and I could very clearly see all of my pain and my grief and my trauma and my loss and my confusion. It was all there, right? I started looking at the language and the images that I was constantly using and the mood. And the tone of so many of those poems was really dark and just a lot like a feeling of being lost and having all these questions.

So there was an implication of all these questions, but never finding any answers. So it was really interesting to start to look at that and then to look at how to take those early poems and create a new narrative. So a big part of my dissertation project was a one-woman show where I incorporated some of my early poems and then some newer poems where I was rewriting parts of my story that were still unknown to me.

So like questions about the circumstances of my birth, for example. I didn't have any answers about that. I didn't have any information about that, right? So many of us don’t. And so some of the more recent poems were about just me reimagining what the night I was born was like.

And so I created this whole narrative that was punctuated by all of these poems to tell a story about what it's like to live with the trauma of being adopted in a patriarchal society that's disadvantageous to women and children, right? That says that two parents are better than one, and that a young single woman is irresponsible and shouldn't be able to keep her baby, right? And of course, lots of these things are generational, but they're still happening. So it was really important to use art and the creative process to tell a story publicly that people need to hear. So I guess that's it in a large nutshell.

Haley: I've heard you speak about writing as a public testimony and it's interesting that your project was this one-woman show where it's literally giving a public testimony. Can you talk a little bit about that? Because I don't think, of course, not all of our writing will be performed and you are an actor. You have got a theater background as well. So there's that piece for you.

Liz DeBetta: So in some of the research about creativity, using creativity to heal trauma, Dr. Sophia Richmond writes about creative transformations of trauma, and one of the things that comes up in her work is this idea that the art, whatever it is, whether it's a poem or a piece of personal narrative writing or a painting or a drawing or a piece of music that is composed. Whatever form the art takes becomes a container for the artist to put the trauma into and to reshape it and to fashion it into something.

And then that's one part of the way that we start to heal, when we can put our feelings into something outside of ourselves. So the poem, the one-woman show, the whatever. And then the other piece of healing, at least according to her, is having that art witnessed and sharing it publicly.

And that also comes up a lot, there's a lot of connections to that in lots of the other research. It is this idea of not only writing or creating, but then giving it to someone else and saying, here, witness this. Because I'm heard and I'm seen, and also the act of public performance is, I don't want to get too theoretical, but it is another way of creating empathy, right?

Because when you are a performer or a speaker, when your body is in physical space with an audience, the audience members are part of that experience with you for the time that it's happening, and they can't turn away, right? Like they've chosen to be there. They've chosen to sit there in this live experience, to take in what is happening, right?

And to engage with my body as it tells the story. And what happens is then that space, that theatrical space becomes a container for empathy and for critical thinking. And so part of the process for me then was also a couple of audience talkbacks where people got to ask questions.

Not only about the writing and the performance process, but like my own experience, and why I chose to tell this story. And what it ended up doing for a lot of people was shifting their perspectives and having many people say, I had no idea. I never thought about adoption this way.

I had one woman who grew up with adopted siblings and she said, I have this much better understanding now of what was going on, like why my family dynamic was the way that it was. It's probably because my siblings were going through some of the things you described in this performance and none of us knew.

Haley: How does that feel for you personally to know that you got to shift someone's narrative.

Liz DeBetta: That's exactly why I do this work. That's the thing that became really important to me. The more that I worked on my PhD and my dissertation study was like, okay, I can take all of these parts of myself, right?

I can take my background as a theater artist and my background as a writer and a teacher, and a thinker, and I can smash them together in a really unique way to do something positive in the culture of adoption. Because the more that I studied all of the literature, the scholarly literature, I was like, nobody's telling these stories.

And we know in the adoptee community, we know how often we're silenced. We know how often, “but what about…”; and people speaking for us and about us. And so it was part of my own healing process to do this important work, but also I look at it as an act of cultural mediation and cultural healing, right?

If we don't start to tell these stories and make people listen, then nothing's going to change. So it's really affirming to have people, multiple people, after they've watched my show say, Wow, I have totally changed my perspective. So that's why this work is so important, and that's why every opportunity that we have to get adoptees’ voices centered and telling our stories, we should. Because I think the time is well past when we should be paying attention. It's 2021 and, like, we gotta get comfortable talking about trauma. Like we can't. Sorry, but sorry, not sorry.

Haley: It's time.

Liz DeBetta: Yep. Yeah,

Haley: I have this Adoptees On Healing Series where I'm always talking with therapists about various things related to trauma and healing and things.

And, you've used the word healing and I'm curious what that means for you. What things have shifted for you or changed for you as you've written poetry and literally studied this and performed and all of those things. Do you feel like healing happening? What is “healing,” what does that mean for you?

Liz DeBetta: I think, healing, one of the things that I wrote and I say in the show is that healing is not a linear process. For me it's been concentric and twisting and turning in on itself. And because it's a journey, right? And it takes different paths at different times.

But for me, what I've come to realize, especially over the last couple of years, is that healing is about finding wholeness. About finding ways to feel whole and to feel real and to feel grounded. To not feel like I'm gonna fly off in a million parts, which is another thing that I wrote. This constant feeling of I'm gonna fly away into a million parts. If I don't keep control, right?

And yeah, a lot of the healing comes through owning these parts of my story and really sitting with the feelings, I, and I think a lot of adoptees, can relate to dissociating and not feeling, and not wanting to feel, and being afraid to feel or being taught our feelings aren't valid. And so we just shove them down and pretend everything's okay, and then we don't know. We don't know what's okay and not okay. It just becomes a mess. And I have that experience of really not feeling and sort of existing in a numb but overactive space for a long time.

In terms of my experience of my body. So a big part of healing, too, for me has come in having a new experience of my body. And learning to stay in my body, to be present, to feel safe, to not want to escape all the time. And that was a big part of why the performance aspect of my dissertation project was important because the performing and the living through the words that I had written and through the story I was telling and really experiencing all that in my body through the rehearsal process and through the performance process helped start to move trauma too.

I started to feel different, like I would finish rehearsals and things would hurt. And yes, it was a very physically active show. I did a lot of movement and breath work and stuff, but, like, things hurt. My hips hurt. And that's a place where we know that trauma gets stored. And I started to notice the places, the sort of what I call holding patterns, right? Like my default holding patterns where I was like, oh, I have held my hips and my gut and this whole center of my body really tightly for my whole life.

And now I can start to release that. I can let it go. So it's also feeling those physical changes that tells me that I'm healing. And then I guess another big thing that's happened is I've been doing EMDR, too, for the last couple of years, so that's been a really good companion to all of this other work.

But the way that I don't have my recurring nightmares anymore, and I know that a lot of adopted people have these sort of very similar recurring nightmares around searching for something that we never find. And that's certainly been my big recurring dream of looking for someone or something and spending the whole dream panicking and not being able to find whatever it is or whoever it is I'm looking for.

Or starting out the dream with my partner and then getting separated and then never being able to find him again. And now when I have this dream, it resolves itself and by the end of the dream, we're back together. And to me that's huge.

Haley: That is huge. Wow. That's amazing. Thank you for sharing all those things.

I am doing EMDR again, like I'm really in depth right now, but I feel often scared of writing. Even privately because I am worried about the things that are gonna come out, it's like admitting things to yourself. But that’s just my personal note. I know that you ran a group for seven weeks with other adult adoptees and were leading them through all of these different writing prompts and different exercises, and I would love it if you would talk a little bit about that because I think it's such an amazing thing to talk about, writing on your own. But then you've brought in this other aspect of writing in community and what that could do for people.

Liz DeBetta: Yes, I think it's really important for people to write and writing is scary, right? You're not the first person. You know, yes. You have to confront things, right? But it's also a way of getting it out. And so for the group that I just worked with for seven weeks, I was really interested in creating a space, an adoptee-only space, and creating an opportunity, as you say, to write in community. And what we, I called the group migrating toward wholeness.

Because, like I said, that's healing. I think, for me as an adoptee and for a lot of other adoptees, especially as adults, is to try to move toward a sense of wholeness. And so the group was comprised of 11 other adoptees. Aged from their mid-twenties up through their sixties. So we had multiple generations represented.

I specifically chose domestic closed adoption adoptees for this first group because I was interested in seeing what the commonalities in our experiences might be despite the age differences. Just from a researcher’s standpoint.

Haley: And that's your personal experience as well.

Liz DeBetta: Yeah, exactly, that's my personal experience. And I am a creative person and a facilitator, a sort of guide. And this aspect of social justice, like this is real social justice work when we can create spaces for adoptees to come together and find ways to tell their stories and to heal in community.

Whether the writing that gets done gets shared publicly or not is a side bonus. But there was the act of writing and sharing in the small group, because we were witnessing one another for those seven weeks. We got together every Saturday for seven weeks for two hours. The first week, people just shared their stories and we just listened to each other.

And from that first session everything was really emergent. I didn't really pre-plan a lot because I wanted to work with who was in the room with me. Who was there and what was I hearing and what did I think people needed to start to think about and write about.

And so the prompts came out of things that people were saying, the questions that I posed to them. Each week we had two sets of questions. There was a set of writing questions and then a set of writing prompts. So those were just some direct quotes followed by ellipses that they could just finish the sentence and keep going.

Or, several questions that came up related to things people said, related to the experiences that were shared. And then I also offered them each week four questions for reflection, because one of the important things to do is not only to write about the experiences and start to discover what you need to say, but also to reflect on it. Like what's happening as I write, as I'm working through this process, like, what's going on in my body, right?

Am I sleeping better? Does my breathing shift? Things like that. And also there were some things that were really hard for people to write about. Because for some people this was the first time they were giving themselves permission to write about being adopted and their feelings and, like, go there, right?

So to your point, Haley, like some of them were like, I saw this and I was like, this is scary, but I'm gonna do it. They jumped in and what happened was incredible. It was an incredible process and we wished it didn't have to end. We ended up adding an additional session because by the time we got to six weeks, we were like, okay, we need more time.

We need a little bit more time together. And for some people, this was the beginning of creating space to feel what they need to feel. What they've been told has not been okay to feel. And many of us know that something really special happens when adoptees come together in adoptee-only spaces. It's automatically a safe space.

So, I think I talked a little bit about this in the presentation that we did after the seven weeks with the group, but it is this idea of reflective resonance, which we as adoptees do automatically. When we listen to one another's stories we're not listening to respond.

We're listening to hear. And to be supportive and to be empathetic and say, yeah. What I'm hearing you say is, this is really hard for you. Or, this has been a really challenging way to go through life. What happens, usually, because we're socially conditioned to listen, to respond, which is not reflective resonance.

And so this happened so much as adoptees, when we try to speak in other spaces that are not exclusively adoptees, we get spoken to, we get spoken over. People are not listening to us and reflectively resonating with us. They're not going, “Oh wow, that sounds so hard.” They're going, “Oh, but not all adoptees.”

Or, “but what about the adoptive parents?” And this is something that comes up a lot, like in conversations I have with my own parents, which is incredibly frustrating at times. But I give my parents a lot of credit because they've also been on this journey with me for the last couple of years, and they're trying. They're really listening and they want to know, and they want to understand, and they feel bad that they didn't know 40 plus years ago what they know now.

And I know that it's incredibly difficult for them to listen and to hear. Anyway, back to my point about this idea of reflective resonance. I think we do this instinctively as adoptees where we just listen. We're here and we can be mirrors for one another.

And so I think a lot of this work, part of the healing comes in the more that we can create adoptee-centric spaces, I hope that there will be a shift in this to more widespread reflective resonance where people can start to receive the stories. But the first step is creating spaces where we feel safe together, and that creates that community of braveness.

Right? And the ability to explore the feelings. Knowing I'm sitting here with 11 other adult adoptees whose experiences very closely mirror my own, despite the fact that we're in different parts of the United States, grew up in very different circumstances, in different decades. But here we are saying so many of the same things.

That gives me permission, or anyone who participated in the group, the permission to really go there and to have the opportunity to not be afraid to dive in. And that's really powerful.

Haley: I was just asked about this and the person challenged me, or adoptees, asking what is this adoptee activism thing? Are we just in an echo chamber? And my response was I feel like we're practicing on each other and building up the muscles. And I love that you said bravery because it takes courage to share our story wholly. That is against the traditional narrative. Knowing that the responses we've gotten in the past may continue, the “but what about” and “I don't believe you” and all those kinds of things.

So building the muscles in order to share outside starts out with having the safe space. I love this reflective resonance, I love that term. It's so perfect. And could you speak a little more on having an intergenerational group? Because when we share stories on this show and there are younger adoptees or older adoptees and some of them will say I was in the Baby Scoop. Or you identify yourself by that sort of generation. But what was it like to have people from different decades participating and speaking to each other in that way?

Liz DeBetta: I think it was really important. I think what it did was it showed us that we are not the problem. Right? It showed us that we are not the problem. That the culture of adoption and the system of adoption as it has existed since the mid-1940s is the problem. Because we had adoptees who were in their mid-twenties who were still products of closed adoption.

And adoptees in their sixties who were definitely part of the Baby Scoop who had been really effectively silenced by their generational guilt and the shame. But all of us talked about this guilt and this shame and this needing to fit into a mold. And someone else's idea of who we should be, right?

There was so much crossover in what people said and shared and parts of stories and just the internal experiences. I guess that’s really what I'm talking about is having this multi-generational group of adoptees talking about internal experiences that were very similar.

Haley: And you had only closed domestic adoptions represented in your group. And even when I think of some of the younger adoptees that I've spoken to who were products of an open adoption, that thread continues. So I love that you said that. It's not us. It's not me, it's you, system.

Liz DeBetta: Yeah, exactly.

Haley: Yeah.

Liz DeBetta: And I think it was really empowering and affirming for us to come together and for the younger adoptees to connect with the older adoptees. And again, I think the most profound thing was that for several of the group members, this was the first time they were doing this kind of thing.

And so there was a tremendous amount of trust that they placed in me and in each other that wouldn't have happened if it wasn't adoptees only. And hearing each other share different parts of their stories or pieces of the writing that they were doing from week to week gave other people permission to keep writing and to keep sharing.

Haley: So we've both talked about doing EMDR and various therapy at other points in our lives. And you mentioned your social justice activism, and I'm curious if you have thoughts on the accessibility of writing. And if you think it's accessible and if that makes it just another reason why it's such an important tool. Because of course we can, I've said this on the show before: therapy is inaccessible to a lot of people. It's just very expensive and it's inaccessible sometimes. So can you talk about writing and what your thoughts are on that piece?

Liz DeBetta: Yeah, I love that. And it's so (beep) that therapy is inaccessible for so many people. When so many of us need it, not just adoptees, but so many people in the world. It's a part of our physical health, right? Taking care of our mental health. So we need to do better about that.

But yeah, I do think that writing is accessible to anyone regardless of circumstance or situation or ability because you can get a notebook and a pen or if you have a computer, you can open a Word doc or a Google Doc and type if that's accessible.

If you have some physical limitations, you can speak to text, right? Like you can speak and the technology will type for you. And so I think that recognizing that writing can also be a very private act, right? It doesn't have to be something that you choose to share, but it can be something that you do for yourself because it is therapeutic. Because it helps you give shape to things that feel chaotic. That's in some of the literature about why writing is a therapeutic thing. It’s that when we create a narrative for ourselves, we're giving order to something that formerly felt chaotic.

When we use something specific like poetry, we're getting right to the heart of the emotions, right? We're taking out all the unnecessary language and we're using images to connect to the really deep, intense emotions. That can then help us make sense of them.

An image that I work with a lot has to do with ghosts and tombs and bones and things, and I think that it's really important to not just write the things but then go back and like what? Why did I write this, right? What are the ghosts? And for me, like I know the ghosts come up because we know there are ghosts in the adopted family, right?

Most people hopefully know about Betty Jean Lifton and her work specifically on ghosts in the adopted family. But that actually came up in the group. One of the group members was like, I just learned about this and I was like, yeah, here's the article. But it's true.

We live with these ghosts and so I, as a writer, have to pay attention to what's coming up and what that tells me about my internal experiences and things that maybe I still need to process. But the writing is a process and an act of processing too.

Haley: You've taught us a lot during this whole conversation, but I just want to double down on it, and I think you'll talk to this when we're doing our recommended resources as well, right away, but it's a process. It can be a tool for healing. There's research and it's proven. And even as you were listing off the things that “healing” meant to you and the impact doing this work has had on you, you were mentioning physical, emotional, and mental things that have come about. So it's not “Oh, I'm just gonna scribble in my notebook.” There's meaning behind it and there's things that come out that are really beneficial.

Liz DeBetta: Yeah, I think one of the important things about using writing as a tool for healing is that we're not just word vomit.

We're not just writing that all these terrible things happened. We're describing them, right? Specifically, we're using really deep, detailed descriptions of experiences, and that can come out in, like I said, in the images, in the details that you used to talk about who was there, when was it, what did it feel like?

But then we're also thinking about not only what happened, but how did it make me feel? How did it make me feel then, and how do I feel about it now? And so always like having that sort of conscious process of checking in with ourselves and saying, okay, I am writing, and I need to write about this.

And often that's what happens, right? Is like the feeling, or at least for me anyway, the feeling gets too much and I have to do something with it. I can't keep holding it inside me or it's going to eat me up. I don't want to hold that. I don't want to sit there for a week feeling (beep) inside.

I want to do something. And it comes out as a poem usually. I did this yesterday. I was having a really complicated set of emotions surrounding Memorial Day. My brother, who's also adopted, is a vet. Severe, complex trauma from both being adopted and his time on active duty.

And there's a lot of really complicated stuff going on with him and my family. And we watched Da 5 Bloods on the night before. And that story is about a group of Vietnam vets and one of them said things that were so close to some things that my brother has said, and it hit me really hard.

And I woke up yesterday and I was feeling all of this stuff and I was like, I gotta do something with it. So I wrote a poem to help move some of that stuff, and so that's an active agency too, right? That I can do. That I have control over the things that are going on. I can choose to do something about it.

So I chose to sit down and feel what I was feeling and write it. And that's another reason why writing is both powerful and accessible for everyone. Louise DeSalvo in her book Writing as a Way of Healing says that writing is an act of freedom we often felt we didn't have. She also says that through writing we change our relationship to trauma because we gain confidence in ourselves and our ability to handle life's difficulties.

Through writing and changing our relationship to trauma, we come to a feeling that our lives are more coherent rather than chaotic and that we can solve problems. And she says also that because our writing, our work of art, is a concrete object, it becomes a memorial and a testimony to the resolution of the mourning process.

And so that sort of connects back to what we were talking about earlier with the container, right? Like the poem is the container. And so I'm going through a mourning process of not having a relationship with my brother anymore because he's really damaged and it's really sad.

And he's really angry. And so that poem became the concrete object where I could memorialize and create a testimony to my own grief and that sense of loss around that relationship, but also where it's coming from.

Haley: Thank you for sharing those things. So powerful. Before we do our recommended resources, I'm wondering if you would give the folks listening, a writing prompt or two if they're new to this, if it feels scary to me. One or two things that we could start doing. What's beginner level?

Liz DeBetta: The thing that's popping up right now is two things. I often like to find inspiration in other things. So sometimes like a word or a phrase or part of a sentence from something else that I've read will inspire me, and I'll start with that. So if you have a particular line or quote that speaks to you for some reason, that could be a good way in. Another thing I like are letters. You can write letters to yourself, and this was actually one of the really hard activities. So maybe this is not great, but I'm gonna suggest it anyway.

Like we can write a letter to our younger self. For some of us as adopted people, that's really hard because we still haven't really fully embraced that little person. But it can be really helpful to do that as an exercise, over a week or two weeks or a month. Take 10 minutes every day and engage with that part of yourself and say the things that you needed to hear. Things that maybe never were told to you that you, as your adult self in your full power now, have the ability to say, “Hey, I see you, I'm sitting with you and we're okay.” Or just letters to people that you need to say things to. And you don't ever have to send them. And if it's hard to write in the first person, shift that and write in the third person.

Because then it puts you outside. When you shift.

Haley: You're the observer.

Liz DeBetta: You become the observer instead of in the story, right? And then as it gets easier, then you can shift back. And you can rewrite it in that first person narrative when it feels more comfortable and when it feels less intense.

Haley: I love it. All right, so we got the beginner level and intermediate level.

Liz DeBetta: There you go.

Haley: Oh, that's so good. Okay, what do you want to recommend to us today?

Liz DeBetta: Okay, so there's so many really good books, but what I chose today to share with everyone is a book called Writing as a Way of Healing: How Telling Our Stories Transforms Our Lives by Louise DeSalvo, who's a writing teacher.

And the book is based on 20 years of research that she accumulated in teaching writing and also connected to some of the stuff I talked about earlier. She pulls in a lot of the research, but also her own experience. And what I like about the book is that it's both about the way that writing can help us and it's backed up by the research.

But also she makes sure to continually discuss the idea that we need to have balance when we write. If we're just writing about negative experiences, that's not going to be good for us, right? We need to write both about the negative and the positive and create what she calls balanced narratives.

Each chapter is followed by some writing activities and exercises, so for people that want to start writing and aren't sure how to do it, this is a really nice kind of overview of all the things that we've talked about today, like this idea of using writing for healing and how we do it and why we do it.

Haley: I like that. I like that balanced approach. Because I could see how, if you're just constantly writing all the horrible things, that's what gets stuck, right? You're not shifting anything.

Liz DeBetta: Exactly. Yeah. And that can actually create negative health outcomes. But it's because you get stuck in a negative feedback loop when you’re just focusing on the bad. But actually there's good too, right? There's always good.

Haley: Yes. Thank you. That's great. Fabulous recommendation. You mentioned earlier that you had presented on your seven week group and the outcomes, and I think I've mentioned before on the show this year that the Rudd Adoption Conference was virtual, and so their focus was adopted adults. Connections across generations. And so your presentation was the last one to wrap up this year for 2021. And so I'll make sure to link to that. So you talk more about the group and what's really special, and Rudd actually linked both videos you have. There's two participant videos.

There's a shorter one and a longer one where people in your group are reading some of the work they did with you and some of the writing. It's very powerful. And then they're also a part of your presentation and talking about some of the things you shared today about the impacts and I was there live, on Zoom. I think I was making dinner, but I was listening and it was just wonderful and accessible and really interesting.

And I highly recommend you go and check that out. And the other presentations that Rudd offered are also on their YouTube channel, so I'll link to those things. Then the other thing that you and I have in common, is we're both Adoptees Connect facilitators. And now that, I was just gonna say, now that Covid is wrapping up, I don't know, it's not really everywhere, but a lot of the Adoptees Connect groups are meeting in person again, we're still doing online here in Alberta because, yeah, that's just how it is.

But the founder of Adoptees Connect, Pamela Karanova just announced that they are now planting more groups. So if connecting with other adult adoptees has felt important to you, and if anything, what Liz was sharing about the power of community today felt important to you.

I would encourage you to go to the Adoptees Connect website and see if there's a group near you that you can join. And if not, you're the person. Tag you're it. You can start it. You don't have to be a therapist. You don't have to have any credentials. You have to be an adult adoptee who's willing to connect with other adult adoptees.

And that's been one of great gifts in serving the community and I've felt very blessed by doing it. Meeting new members and we have new people coming all the time to our group. We're still really small, but it's really cool to connect with other adult adoptees, especially people that haven't been in the community before and have no idea about the impact adoption has had on them.

And they're reaching out for resources and you could be the person that starts a group in your area. So I'd recommend you go and check out Adoptees Connect. Do you have any thoughts on Adoptees Connect, Liz?

Liz DeBetta: Yeah, I think that, again, we talk about the importance of adoptee-only spaces and adoptee-centric spaces and Adoptees Connect is one of the really important opportunities that we have to come together in community. It's about building a community where we can just come together and share ourselves and our stories in a non-judgmental, social way.

And we, my group in Salt Lake City, just got together a couple weekends ago for the first time in person after hosting on Zoom off and on throughout the pandemic. And we had two new members. It's been a slow grow for us here over the last couple of years, but people are finding each other and people are coming. I think the more opportunities we have to create community together, I think it's another tool for healing.

And why it's been important for me is that I can bring more people together.

Haley: Absolutely, yes. Thank you. So speaking of that, where can we connect with you online and where can we sign up if we're interested in doing this writing experience with you?

Liz DeBetta: Yeah, so I have a waiting list is the best way to put it. So lots of folks are interested and in order to keep myself sane and organized I will send you the link to the original Google form that folks can add their info to. They'll just have to skip through the part that says, are you available for all sessions? And just say no. Because it's from the Rudd, the original Rudd writing group that is already over. But for everyone that is including their information on that Google form, I will have your contact info and then as things develop, I will be able to keep in touch and let you know what's coming next. Things are still a work-in-progress, but I hope to do much more of this, as much as I can.

Haley: Love it. Wonderful. And what's your website? And I'll make sure to link to that form and your other contact info in the show notes. But where can we find you?

Liz DeBetta: So my website is currently not live. It's a work-in-progress, but it is my name: LizDeBetta.com. So easy. In the interim folks can look for me on Facebook.

Haley: Sounds good.

Liz DeBetta: And if it's okay, I would love to leave you all with a poem.

Haley: Yes. I can't wait.

Liz DeBetta: I also think about poems as gifts. And so this is for you and for all of us who might need to hear this right now.

“I am here, finally, fully, frightfully aware of me, myself, and I. I who has been afraid to be here, afraid to be me, afraid to present myself, my flaws and my imperfectly perfect self. I am here now knowing nothing is impossible because I am possible. I am me moving through grief, moving through pain, moving through fear to find peace in myself, with you, and in my circumstances. I am here unapologetically. For the first time the fog has lifted. I am free. Free from shame, free from guilt, free from my own self-doubt. I am free to be me, myself, and I.”

Haley: Thank you for that wonderful gift.

Liz DeBetta: You're welcome.

Haley: Oh my goodness, I cannot believe this is the last episode until the fall. It's our summer break and normally I would go to the end of June, but just because of COVID and having the kids at home, I know I've told you about this in the last couple episodes. This is just how it worked out. So I am taking the break.

I'll be ready and refreshed to come to you with new episodes in September. And there's a huge back catalog, so I am sure you couldn’t have possibly listened to all 187 episodes, have you? Scroll back if there are things you haven't checked out yet. There's so many good episodes. I'm sure you can find a gem or two to listen to during the break.

And there's still going to be new episodes for my monthly Patreon supporters. So if you go to AdopteesOn.com/partner. You can find out details of how to join us there. We are still hosting our monthly book club. This month we are talking about The Guild of the Infant Savior with Megan Culhane Galbraith, which is a fabulous book. So excited to be reading that with her this month.

We have Barbara Sumner in July. We are going to have a round table in August. So many good things coming up, even during the summer break. So if you can't get enough and going through the back catalog is not gonna do it for you, come join us on AdopteesOn.com/partner for the Patreon bonuses.

There's a weekly podcast there called Adoptees Off Script, and they're all ready to go for you. There's over a hundred episodes there. So if you really want to go back and binge listen, there is more. I am so grateful for each one of you for listening. I am truly honored that I get to do this for you, to be in your earbuds and on your hikes and walks and commutes and when you're doing the dishes.

Thank you for allowing me into your ears and I know it's so annoying that I say thank you a lot. I'm sorry. It's a Canadian thing. It's an adoptee thing. It's a people-pleasing thing. It's just my quirk, I guess. Anyway, thank you so much for listening and I look forward to talking to you again very soon.

In September, we'll be back with brand new episodes of Adoptees On so make sure you're subscribed or following wherever you listen to podcasts. Let's talk again soon.

186 Megan Culhane Galbraith

Transcript

Full shownotes: https://www.adopteeson.com/listen/186


Haley Radke: [00:00:00] You are listening to Adoptees On, the podcast where adoptees discuss the adoption experience. This is episode 186, Megan. I'm your host, Haley Radke. I'm honored to introduce you to my new friend, Megan Culhane Galbraith today. Megan's brand-new book, The Guild of the Infant Savior, is out in the world, and I begged her to do a Book Club event with us later in June, so stay tuned to the end of the episode to find out details for that.

Today, we talk about the challenges of building a relationship after the first moments of reunion are finally realized. Megan shares how she views the patterns of silencing adoptees from childhood into our adulthood. Did you know there used to be a program at Cornell that used “practice babies” sourced from foundling homes to teach women how to be mothers? Megan describes the impact of researching these barbaric domecon [00:01:00] experiments on us as adoptees, as humans turned into objects, like dolls. We wrap up with some recommended resources and, as always, links to everything we'll be talking about today are on the website adopteeson.com. I want to give you a content warning for mentions of an eating disorder. Let's listen in.

I'm so pleased to welcome to Adoptees On, Megan Culhane Galbraith. Welcome, Megan.

Megan Culhane Galbraith: Thank you so much, Haley. It's wonderful to have this resource and this space. Thanks for taking the time and for reading my book. I so appreciate it.

Haley Radke: Yes. I promised I could read it in one day, but I slowed down because it was so wonderful, and we are going to talk about that. But first, will you share a little bit of your story with us?

Megan Culhane Galbraith: I would love to. Thanks so much for letting me. I was born in a charity hospital in Hell's Kitchen. I didn't know that until, of course as an adoptee, you start poking into your background. And [00:02:00] I slowly began to unwind my story. I met my birth mother. I was about 29 when I met her, and the impetus for me finding her was probably like many other adoptees. I was pregnant with my first child, and I'd always been curious about who she might be, but I never really was that interested in finding her. But suddenly, when I was pregnant, I just thought to myself, you know, I just had this overwhelming love for this baby that I was carrying, and I thought, without judgment, but how does someone surrender a child? How does this–from a place of empathy–how does this happen? And that really was the beginning of the question of how I went on to find her. And it was back in the early days, before the real internet, so I didn't have –

Haley Radke: Before the [00:03:00] real internet.

Megan Culhane Galbraith: We had one homepage and some chat rooms. [Shared laughter.]

And because I was born in New York City, I thought I had to abide by the New York City laws, which were all closed. All your birth records, any sort of information is closed. And I don't remember how I found out, but someone said to me, Oh, you were adopted in Bridgeport, Connecticut. You should call Catholic Charities there. Because that's the agency that facilitated my adoption. And, so I just made a phone call and found out that, not only could I do a search, it's a two-part search. First, you get your non-identifying information, which can look like the redacted FBI file and the caseworker explains to you the nature of the information, or the non-information, that's there. And then you can go on to think about whether I want to search for my birth mother? And I think all of it was, like, $175 at the time to do this. [00:04:00] I know. I understand they have administrative costs and whatnot but –

Haley Radke: But do they need more money from us? Do they?

Megan Culhane Galbraith: I know. Yeah. And that whole accessing of the information that's your right to have is just…It's painful to think, huh, I'm getting this filtered through multiple, multiple channels. And I was just thinking the other day when I went back to Catholic Charities to ask for more information for different reasons, and she's like, Oh, I have files and files of everybody's stuff in here, and it's gonna take a while. And I'm thinking, Wow, you are a complete stranger and you have access to all these things that people want to know, and what must it be like to sleep at night knowing you're a gatekeeper for this stuff? And for what reason? For what reason? But sorry, I got off on that tangent, but it's an important one. So in my search for her, I did decide. [00:05:00] I got my non-identifying information. It seemed to me in that information that she so wanted to be found because she had updated my paperwork to say her mother had taken DES during her pregnancy. And she was worried that there might be effects on me or my children. So I thought this seems like she might want to be found. So I proceeded to try to find her. And when I called the caseworker, or the caseworker called me, she said, This was the easiest search we've ever done. She goes, I called one place. Her last place of work was at an arts council in Toronto. The person who answered the phone was like, Oh, I know who that is. She's always said she had a daughter out there somewhere. Here's her number in Scotland.

Haley Radke: She had told people that you were out there somewhere?

Megan Culhane Galbraith: Yeah. I was like, well okay, there are two [00:06:00] ways to look at that. One, I was not a secret to her. But also, I was... I felt after meeting her and hearing all of her stories, I was like, ugh, I felt like a cocktail party conversation too.

Haley Radke: Oh. It's like the two truths and a lie, and you're one of the little snippets of info?

Megan Culhane Galbraith: Right, and it's, oh, you've been kind of using me as a point of interest, and maybe that's not how it felt for her. But yeah, I was like, ugh. To me when I heard it back, I was like, oh, I was a little cocktail party talking point: Ooh, that daughter out there. But in any case, she doesn't have any other children. And then we reconnected, we spent a long weekend in New York City. She rented a hotel close by, The Guild of the Infant Savior, which is the title of my book, and also the unwed mothers’ home that she was sent away to. So [00:07:00] she said to me, I want to walk you around the neighborhood. Which was really great because place for me has so much meaning. And once I was there, and once we did walk around the neighborhood, the Guild wasn't there in the way that I was hoping. I was hoping to see this brownstone that stood there, but it was a facade now. It was the Hungarian Consulate, which to me was really interesting because we stood under that flag and she was like, Oh I need to tell you, you're Hungarian. And to me, I was like what weird synchronicity is this, right? I meet my birth mother, we come to New York City, we look for this place, and there's my heritage. How? I don't know. It could have been anything, but over the course of that weekend it was so cute. We did the normal things you might do as mother and daughter. [00:08:00] We went shoe shopping. I was looking for shoes, and I bought a pair of shoes, or she bought me a pair of shoes, like, size nine, and I was like, Hey, you just bought me my first pair of baby shoes!

But I'll tell you, and I don't know what your experience is, but on the train ride home, I realized, oh my God, I had only thought up to the point where I was having the reunion. I didn't think, oh gosh, now I have to have a relationship. And so it progressed on from there and that's a lot about what the book is about. It's the idea of finding yourself, finding myself through the lens of someone else's memory. Which memory is a coping mechanism, you know, especially traumatic memory. And I realized more than anything that a lot of her stories are sometimes just that, they're [00:09:00] stories that were made up, understandably, to create a narrative that eliminated or alleviated some of, probably, the grief and the shame that she had. And I think that's not an un- ; I think that's definitely a normal reaction, a normal human reaction. But for adoptees, when all we want is the truth, right? A truth. Just tell me what happened. You just can never get it because of these layers of shame, because of layers of grief, because memory is a fog. I can't remember the writer who says that, but it's like holding fog in your hand. How do you stitch together your narrative from a ghost?

Haley Radke: I have goosebumps. That is such a wonderful description of it. [00:10:00] I've heard from different adoptees, like they find it so frustrating and infuriating, as if their first mother is making up lies on purpose to conceal things from them. And indeed, some are, maybe hiding the father's identity or things like that. But I think some of that is true, like they're also just saying things to protect themselves, and often they don't necessarily know that some of it's made up. What do you think about that?

Megan Culhane Galbraith: I mean I think that's true. I think it's so true. Like Joan Didion says, the often-quoted line: "We tell ourselves stories in order to live." And for me as an adoptee and having met my birth mother, like these are the stories she's telling herself because she has to ... She had to live with a deeply traumatic thing that happened to her, even as she might discount that herself, even as she might say things [00:11:00] like grief and shame are useless emotions. I'm a Gen X-er. She's a Baby Boomer. I feel like they, that generation, just didn't have the support network that I have now. They didn't have therapy. They didn't have anybody telling them how to manage their emotions. I think that they're just told, especially as birth mothers, they're just told: Just get on with your life. The past is the past. The baby's in a better place. Just get on with your life. And the more I talked to her, the more I heard her stories, the more I could hear the nun saying this to her, because she had been sent away earlier to a convent school in Limerick, Ireland. So I can hear the nun saying these shaming things to her. I can hear the caseworker saying these. I can hear her mother's voice saying this. And all I can do is empathize. She's saying these things to me, and they're very hurtful. Some of the things she said are very hurtful. But also, she doesn't [00:12:00] understand how hurtful it is because she just doesn't know how to be a mom. When I met her, I was very excited at first, but, as I got to know her, I was like, oh, she's really just kind of like a bossy big sister who gives you advice when you don't ask for it. She just doesn't know how to comfort because she had not been comforted either. So I feel writing about her, I wanted that to be a fully three-dimensional rendering of a woman who had suffered also. I can't blame or shame her because all I can hear is the blame and the shame that was leveled onto her. And for that I deeply empathize with her. But also, just because you've had that trauma it doesn't mean you can be an [censored].

Haley Radke: There's that. There's [00:13:00] that. [Shared laughter] It's like this real delicate balancing act that a lot of us are doing, having this empathy and understanding. We are reading books like yours and Anne Fessler’s Girls Who Went Away, and reading the histories and things that actually happened. And the doctors would say, too, Don't ever tell a man about this or they're not gonna wanna marry you. Keep it a secret. That's exactly what they were told, which is horrific. It's a horrific violence to have to cover up something so deeply personal as a pregnancy and a child.

Megan Culhane Galbraith: Absolutely.

Haley Radke: And yet, can you be a person in my life who I have a relationship with? And maybe I'm not looking for a mom, but what am I looking for?

Megan Culhane Galbraith: I know.

Haley Radke: That's a balance.

Megan Culhane Galbraith: It's a real balance. I remember something so hurtful that she said to me much later on, and it was after... I write a lot about sex and desire, right? Because I think intimacy is something that I really deeply want to explore because, when you're a child in foster care, when you're an adoptee, the idea of intimacy… I was in foster care for close to six months. So like I say in the book, even my mom was like: You probably weren't picked up that much. And as I dug into that, I started thinking about intimacy and writing about it. And I remember my birth mother saying, Well, if you keep writing these things, no guy's ever gonna wanna date you again. And I thought to myself, Ugh, wow, where does that come from? And yet there it is, a kernel in my brain that when I spiral, that comes back. So being an adoptee is always there in the back of my brain. It's always there, like [00:15:00] someone isn't going to love you for who you actually are, for expressing a valid emotion. And that is the [censored] of adoption, that I wish I could take out my brain, put it under the faucet, clean it off, and put it back in my head, like all of that is gone. I don't know how you feel about that.

Haley Radke: Of waiting for the miracle to cure me of my self-hatred and insecurities? Yeah. Totally.

Megan Culhane Galbraith: Yeah.

Haley Radke: Yes, there are definitely some, unexpected to me, sexy parts in your book. I was like, Oh, okay. So yeah, I could see some...a mother figure having thoughts about those things. Look, I'm such a prude. I'm embarrassed even just talking about this. Okay. Whew. Not blushing. No, I wanted to ask you that. [00:16:00]

Megan Culhane Galbraith: Not bad. I do. In my first essay there's one line in there that I talk about a deep sexual fantasy. And in the context of that essay, I can't tell you how many times from a craft perspective I took that line out, put it back in. Does this need to be here? Is this just gratuitous? It was probably 20 times, and it was terrifying to read it. It was terrifying to write it, and then in readings it's terrifying to read it. But when I read it, I feel so powerful, and I feel like there's this rage in terms of desire with women. Like we cannot... It's this Madonna/whore complex. We need to be the Madonna, but men can't love what they can't have, right? I can't remember how, what this is, how it is. But I want to be a fully realized, fully sexualized being in the world, and part of that is speaking into that. So it's scary, but I think it's necessary. [00:17:00] And that's why I didn't shy away from a lot of the stuff about desire in the book because I think, especially as an adoptee, it's just so necessary. I hope people find it useful. Useful is maybe not the word, but I hope people also resonate with it in that way.

Haley Radke: Yeah, and find it empowering.

Megan Culhane Galbraith: I hope so.

Haley Radke: Yeah. I wanted to go back to reunion, and I know your reunion lasted 25 years, and then what happened?

Megan Culhane Galbraith: Well, as I was publishing the book, I got word on Mother's Day that this manuscript was accepted for publication, [00:18:00] and I thought, again, what synchronicity. How amazing. And immediately called my birth mother and told her about it, and she'd known I'd been writing a book for years. And she was really happy and sent me a nice card about it. And then in writing a book, my book uses images, also, so the beginning of each essay is fronted by a photo from my dollhouse, which is my visual art project. And at the end, because I restage my baby pictures in the dollhouse, at the end of each essay is a little archival photo from my baby book. And there were three images that she had given me from what she called our family album that I wanted to use, and part of book publication is getting permissions from people to use these things. And when I wrote to her to [00:19:00] ask for those permissions to use those three pieces, one of which was a photo of our reunion. She wrote me a certified letter in pseudo legalese saying: I'm not going to give you permission unless you let me revise and edit that manuscript basically to my specifications. And I went into this spiral for about a month of like, Oh my God, is she trying to squash this? What's going on? There was such an abrupt change in tone, and she also asked for anonymity. And previously I hadn't identified her by anything but her first name throughout the book, and I thought to myself this is ironic. After I came out of this really horrible, I wouldn't call it depression, but this horrible spiral of what is happening here? After I came out of that, I [00:20:00] thought to myself, I stood back and I said how ironic. It was hard enough for me to find her, and I'm her daughter and she's requesting anonymity thinking other people are going to be able to find her because of our relationship? You know, Haley, I have a completely different name. When I was born, my name was Gabriella Herman. I exist in two different places with two different names. There's no way anybody could... So the irony of that is certainly not lost on me.

And so I had to go back into the manuscript and decide on what name, what pseudonym, to give her, which became an art project in itself, and I treated it the way I treated doing the photographs that she wouldn't let me use. I got curious about how to do it from a creative standpoint, and what I did was I took the baby frame that's [00:21:00] referenced in the gifts that I got from my adoptive mother and from my grandparents. So I took this, I sound like such a snob, this Tiffany baby frame that was given to me by my grandparents, and inside of that I put a white piece of flannel that I'd frayed at the edges and to me looked like a baby blanket. But it conveyed that sort of erasure. It conveyed that blankness. It conveyed that editing out. And in a way, in a sad and tragic way, it actually strengthened the narrative because to feel like I was some sort of danger or it was going to be dangerous to have her identity revealed was just so… Instead of being proud of me for this accomplishment, here she was writing herself out of my life. And I haven't heard from her in almost a year. I'll send her a birthday card, I will send her a Mother's Day card, but I haven't heard from [00:22:00] her. And I feel like it's not mine to mend this relationship after that. I want the relationship, but I have to do it on my terms now.

Haley Radke: I'm so sorry. Under the photos that you described, so each one that's got this picture frame with the flannel, it says: "Permission not granted."

Megan Culhane Galbraith: Yeah.

Haley Radke: And I found that so, I don't know if poignant is the right word, but I felt it in my gut. And you know, Megan, you're not the first one of my friends that are authors who have poured their heart and soul in sharing this beautiful story of reconnection, and then that's cost them that relationship.

Megan Culhane Galbraith: Yeah.

Haley Radke: My heart just hurts. At what cost for sharing our own truth? [00:23:00]

Megan Culhane Galbraith: I know. I know. I don't understand what people are scared about. And I think the silencing of adoptees... There's an unconscious... I didn't realize till I was an adult, after years of therapy about attachment disorder and whatnot, that so much of my childhood… I remember talking to one of my teachers at Bennington when I was writing. I was writing, I think it was, “Sin Will Find You Out,” one of the essays in the book, and she was like, What were you feeling then? What were you feeling as a child? How did you feel? How did you feel? And I thought to myself, Oh, my God, Joan, I was numb. I don't think I was feeling anything. And she said: That numbness is a feeling. And it just exploded my brain, and I started to think why was I feeling like that? Why was I so numb? And much of it is [00:24:00] because when as a young child expressing a feeling, it felt dangerous. Like, oh God, if you state what you need, what if they send you back? Just be the perfect child. Not that I was perfect at all. I got into trouble. I did bad things. But the whole overriding idea of being the perfect child so you don't get sent back is something that I think was the big unacknowledged danger of my childhood. And therefore I was very insular. I kept my thoughts to myself. I used to hide in my closet and write music. That's how much of a weird nerd I was. I lost myself in books. I remember my mom once, she was like, Don't you wanna go outside instead of reading on the couch all day? I was like, No, I'm fine. I would go outside, though, when I did and ride my horse or make dioramas out in the yard for [00:25:00] the ants, and just generally play by myself. But yeah, I realize now as an adult, of course, the word for that is self-abandonment, and I think that's the most dangerous thing of all. And once I had the words, this is what writing has given me, it's like it's given me the words to understand my feelings. And self-abandonment, when that came up, I was like, Oh my God, I've been doing this for such a long time. And another thread, I think, in that book is about time itself, and I suddenly felt Ugh. Oh my God, I've wasted so much time self-abandoning, and I want to reclaim that. I've worked really hard to not do that but it's daily work, as you know, daily, daily work.

Haley Radke: Absolutely. And [00:26:00] another important part of your book that you weave through this is the social history, historical context, and you uncovered something for me that I had no idea about. Can you talk about the “practice babies”? Sorry, this is not a visual medium, but I just need the mind-blown emoji with also a volcano on top.

Megan Culhane Galbraith: Yeah, the little fire icon. I know. I want to write about these babies more. I'm just so glad that they're getting some time for us to talk about them.

Haley Radke: Sorry, I'm going to interrupt, and it sounds like I'm taking us off, but when you are discovering for yourself that you have this self-abandonment and then you find some scientific evidence of what was done with this group that you're going to tell us [00:27:00] about, I think that's so interlinked.

Megan Culhane Galbraith: I'm so glad you see that. So I'll go back. There was a program that began in 1919 at Cornell, and it was the first ever scientific degree program for women in the country. Women could get a degree in domestic economics. They basically were learning how to be mothers, learning to run a household, learning how to be wives. They took something called a marriage course. All of this looking back, you're just like, oh my God, what? But it was extremely popular. The leading feminists of the time came to campus to laud this program. One of the things, of course, in running a household at the time was if you're going to be a wife, “of course” you're going to be a mother, therefore you need to learn how to practice that motherhood. [00:28:00] And what better way to practice that motherhood than using practice babies? And in this case, these were real live orphans and foundlings that they sourced from area foundling hospitals, area orphanages. In some cases, these were babies whose mothers wanted them back. I found one case of a mother who kept writing and wanting her baby back, wanting to see this baby.

Anyway, so yes, from 1919 up until I want to say the late '60s this program operated and used practice babies, and what they did was they would get them from the foundling homes. These babies would be raised in a practice apartment on Cornell's campus that looked like a "home”, and the babies would live there, and about six different practice mothers would do everything on a very strict schedule, like picking the baby [00:29:00] up. I found one of the schedules for them during the day, and it's just barbaric. It's 7:00 a.m. wake up, 7:15 urination, 7:45 bowel movement, 7:whatever, bottle. And just the strict schedule on which they were raised is just bizarre. And then the idea that they could be put down for a nap and wake up in the arms of another mother. Where did? What? I just want to jump forward in time and give all of these babies a huge hug because they were… So they were raised, they usually spent like six months to upwards of two years in these homes, and then they were adopted. And parents at the time who were looking for an adopted child thought this is, these babies are super children. They're being raised by scientific [00:30:00] principles. We're gonna get one of these babies 'cause it's gonna be perfect. Surely science will make this baby perfect. And the thing that is missing in all of this, of course, is love. Where is love in this equation? And how is a baby raised in these ways by scientific principles in the arms of six different mothers? Where is the love? Where's the comfort? And there's no way to teach love as a science. There's no scientific principle for love. It exists. It exists.

Haley Radke: You have in your dollhouse art installation, all of these things. You're replicating photographs from that with, I'm sorry, the creepiest AF dolls you could [00:31:00] possibly summon up. And so there's the photo from the archives of this real baby, but then there's also the recreations that you've made, which is so brilliant. And I'm reading this and I'm thinking: This is fake, right? Like, Megan is making this up. This is some kind of essay thought-experiment thing. I don't understand. And it's no, this actually happened.

Megan Culhane Galbraith: Yeah.

Haley Radke: And once I figured it out–I'm sorry, I'm a little bit slow sometimes, because it was just too horrible to believe that this is a true thing–I just felt sick. I felt like I ate gluten. A celiac. Celiac problems. And I just couldn't believe it. And we're not talking about thousands of babies or anything. This is like a 100-something, you said?

Megan Culhane Galbraith: It was hundreds. It was about 120 that I could find at Cornell, for instance, but these programs existed all over the country.

Haley Radke: Oh my God.

Megan Culhane Galbraith: Cornell's was just the [00:32:00] first one, but these programs existed all over the country. My friend Gabrielle Glaser, who wrote American Baby, found the same program in other states. But I think Cornell was the pioneer of doing this.

Haley Radke: I think for me, this unraveling of that which I had not heard of before and then looking at it from the adoptee experience and finding it pretty linked was really painful. So as an adoptee discovering this and researching this, what personally was the impact for you?

Megan Culhane Galbraith: Well, I had a very recent epiphany. I thought to myself, how many times was I put up in front of parents, let's say, who were like "Here's a baby," when I was in that foster home? How many times was I [00:33:00] presented to someone who either said no? And to me, I was like, oh my God. In terms of choice…Like, let's talk about dating. Flipping the equation and I need to choose someone instead of constantly feeling like I need to charm someone into picking me. Like that distinction? It blew my brain open because I thought, oh my God, I... I think working with dolls–dolls are the perfect medium for this because a doll does not have agency. A doll is an object, and those Domecon babies were objects. And I think many times when we're little babies being presented for adoption, we are objects for someone to say no to. Oh, I don't like –. Oh, she's too skinny. Oh, [00:34:00] he's too fat. Oh, I don't know, he's got brown hair. Objects. And so, like, how did I feel? I felt at the time more for those babies, thinking to myself. But where I felt it in my body was probably like you. I felt it deep in my gut, a deep sadness for those babies. And that whole project started actually as a show in an art gallery that I had. It didn't start with the words. And then as I began thinking more about it, I began writing more about the babies, and then I realized how connected it was to my own experience across time, and how little has changed. Those principles were barbaric but that's still going on in a different way, and I just feel for... I felt so hard for those [00:35:00] babies.

Haley Radke: I don't even know what else to say about it. It's so upsetting. It's just so upsetting.

Megan Culhane Galbraith: I want to write more about them. The other thing I haven't said, actually, is all those babies that came into that program were renamed. This is a part of the erasure of adoption, so they were renamed. They got new first names, and they all took the last name Domecon. So there was Dicky Domecon and Grace Domecon and Edna Mae Domecon, right? And then when they were adopted, of course, they get new names with their adoptive families, and all the identifying records were destroyed. So there are some people out there who never knew they were in this program. They never knew. Like, how was that ever, how was any of that ever explained to them? Was it ever explained to them? So I feel like [00:36:00] many times as adoptees, and I want to hear what you think. Before we can identify what our grief is or where it comes from, we're just walking around with this unidentified backpack full of rocks with this grief and shame that is not ours to carry. But we don't know it's our backpack of rocks. We don't know how to put it down because nobody's ever told us it doesn't belong to us. So I feel like talking about it more openly and getting in there–I'm just one of those weirdos that I will get in there and explore and explore and scratch and find things and it'll send me off into different questions. And I feel like that's the part of the research that I love. It's the part of research about myself that I love. That's why I love being in therapy because all I want to do is find out more about myself so I can be a better person for myself, but for [00:37:00] also my friends and my family and people I might be in a romantic relationship with, right? I think as adoptees, we're–I'm not gonna say broken–but I never felt fully whole until much later in my adult life because I never knew my heritage. How could you feel whole if you don't know where you come from? And I think part of this book is a reclamation of that, all of that, and in a way it's telling my own story. It's creating my own narrative for who I am.

Haley Radke: I want to ask you about the section that you write fully in third person about yourself. So, this is when you're writing in the third person and you're calling [00:38:00] yourself “the false self” and you're telling your whole story, but it's all from the third person. And I found it very challenging because I wanted to hear it from you. I wonder about your decision to do that because we so often do completely escape from our person because we can't accept ourselves. And I'm wondering if you can share about, how can I say this? Telling your full story in a very small amount of time in the third person and characterizing yourself as false self moving to true self.

Megan Culhane Galbraith: Yeah. So “false self” and “true self” are very psychological principles, and that particular essay was something that came very late in the writing of this book. A friend of mine had read it and she said, I need to know... the one thing you're not answering here is what happened to your marriage. And [00:39:00] so that essay was a tale about what happened, and the reason it is written in such a way is because it's written in the form of a fairy tale, which is a form I like to play with, also, because in fairy tales, the female characters have no agency, and I wanted to turn that trope on its head and give myself agency. But as I started writing it from the “I” perspective, it sounded whiny, it sounded blamey, it sounded victimy, and I couldn't figure out how to... Because it was none of that, right? It was just me transforming into my true self. And, I think, I left a marriage that was on the outs. There was no shame, there was no cheating, there was no abuse. I left a beautiful person, but it was [00:40:00] because I had self-abandoned so much that I was not myself, and so I had to try to explain that in a way. And using the fairy tale, as women, we’re sold this Cinderella fairy tale of what marriage is going to be like, and your prince is going to rescue you. My mom was always like, Marriage is hard work. There's no Cinderella story. So I love her for that, but here I was not being my full self and feeling very, very alone in a marriage that was full of love, right? But not enough. And so that's where that came from, because I needed distance. I needed that distance of the third person to tell that story in a way that someone would understand it, and the reader would understand it. Because to tell it just as from an “I” perspective was... It just didn't work. And I think that's the benefit [00:41:00] of creative nonfiction is you get to play with and experiment with these forms, and I particularly love fairy tales because I love to turn them on their heads like that. So that's where that came from. But it speaks to the self-abandonment. The false self is exactly that. It's the self that abandons and, in the end, becoming your true self is, I think, the biggest, certainly the biggest gift I could give to myself. I'm still learning to be fully alive in my body and in myself, and loving myself fully. I think that's going to be my life's work.

Haley Radke: Unfortunately, that keeps going, right? Having to choose it.

Megan Culhane Galbraith: Yeah. You said choose, and I love that word because I just read bell hooks' book on love, and throughout that whole narrative she looks at love in all its forms, not just romantic love, but self-love, friend love, family love, and she talks about choosing love in your life. It's the choice to have people in your life, and I think maybe that goes back to strengthening that. If I get to choose who is in my life, if I get to choose who I love, if I choose to love myself, I can never, I will never be alone. If I'm strong enough in those principles, I can try to self-abandon. I can certainly try to self-sabotage. I love trying to do that to myself. But I have enough, I think, within me that I know how to rescue myself. I can rescue myself instead of looking to someone else to rescue me.

Haley Radke: Thank you for sharing that. You mentioned earlier [00:43:00] that you love going to therapy which I don't know if that's relatable. That feels ... that feels challenging. Don't get me wrong, lots of us are in therapy, but I don't know if I've ever been like, Wow, I can't wait to get to my appointment.

Megan Culhane Galbraith: No, they're hard. They're hard. They're really hard. I'm lucky to have a therapist who deals with adoption issues. I loved that I could acknowledge my therapist in the acknowledgments of my book. She really helped me see so many things, though, and understand.

Haley Radke: I have a question about that. And gold star for adoptee-competent therapists. So in your book, again going along with the historical, social history–I don't know what all the right things to call these sections are–but you dive into some of the experiments that have become infamous in adoptee land, like Harlow's monkey, [00:44:00] and more about attachment, and you’ve also mentioned here attachment issues. So can you talk a little bit about that, and then what made you decide to head into therapy?

Megan Culhane Galbraith: Oh, wow. I didn't know about attachment. Actually, my therapist told me about Harlow's monkeys. Yeah. She's like, Hey, have you ever heard of this? And in my research then I started down the hole, the research hole of, okay, there's Harlow's monkeys, what other research was taking place with children, for instance? Which again, like monkeys, are little objects to experiment on.

Haley Radke: Oh, the rubber-band pain one on the infants. Getting them to cry. Oh my gosh.

Megan Culhane Galbraith: Yes. Yeah. I know. So when did I start therapy? The therapist I have now, [00:45:00] she's amazing. I know what, I know when I started therapy.

In high school and college, I had an eating disorder. I was bulimic, which is not unusual for adoptees. In fact, it's quite usual and I've learned about that. I went to Penn State for college, and I remember going to the dentist. My parents were like, Get your teeth checked. You're still on our insurance. Go get all your teeth checked! And I went to the dentist, and at my first appointment with him, he says, You have 25 major cavities. What's going on? Do you drink a lot of soda? Do you –? And I just remember feeling so ashamed in the chair , thinking, Oh my God, I've just been found out. And he was so gentle and kind, and I finally told him that I throw up. [00:46:00] And he got me into group therapy at Penn State. And so that was my first experience with therapy. And then I moved on to Lehigh, and I got an apartment at Lehigh, my first job, and, don't you know, the woman who ran the group therapy group was my neighbor downstairs, and I run into her in the hall. I'm like, Oh my God. I don't do that anymore, but that was my kind of window into this is an adoption issue. I think eating disorders, at least for me, eating disorders are about wanting to disappear. They're about wanting to be invisible. They're about slowly killing yourself. And until I realized that's what I was doing, because as an adoptee, I just didn't want to be fully seen. I was like, Let me blend into the background. I'll wear black all the time. I'm just here, your friendly ghost friend. And so [00:47:00] that was the beginning of therapy.

And then, fast-forward, the therapist I have now has introduced me to all these... I never realized playing in my dollhouse, I never connected that there was something called play therapy. People play with dolls or use dolls in therapy for various reasons, mostly for survivors of traumatic things. It's like they show the child the doll and say, Show me where he touched you. Show me where she hit you. And so the fact that I'm playing with these dolls now is, now, no surprise. But to come to this organically… I think one of the great beauties of making art is I get to do it, and then I get to step back from it and question why I'm doing it. And playing with those dolls opened me up to a lot of the questions that I answer in the book, because as I was playing, [00:48:00] I stepped back and thought, Huh, why am I playing with this particular dollhouse? Why am I playing with these particular dolls? Why? And I realized all of that was the same vintage. Like the dollhouse that I play with, that I use in my art is all from the '50s, '60s, so it's the same time period that my birth mother had been sent away. And all these things come back to you.

I remember, to go back to place for me, I remember before I went to see my birth mother, before I knew about the Guild of the Infant Savior, before I knew where it was on the East Side, 51st or 52nd Street. I remember skipping high school and going in on the train to New York. I played the violin and I wanted to go see Carnegie Hall. So we were in the neighborhood, the Carnegie Hall neighborhood, and I just never put it together until recently. I remember [00:49:00] having a visceral reaction. I was at a street corner, and I just stopped, and I think I told my friend: I feel like I have been here before. I've been here before. I don't know. I've, but I also have never been here before. And I just asked a friend, Where is Carnegie Hall? And she said, It's four blocks away from where that is, where your birth mother was sent to have you. To me, I just thought, Oh my God, I have been there before. And that blew my mind.

Haley Radke: Our implicit memories but stored away the pre-verbal? It's incredible, incredible.

Megan Culhane Galbraith: Yes. I loved that you said “pre-verbal,” because in our last session, that's what my therapist said, too, that “pre-verbal memory,” and I wrote it down. I was like, I need to think about that more. [00:50:00]

Haley Radke: Yeah. You may know I talk to a lot of therapists on this podcast.

Megan Culhane Galbraith: Yeah. I want to know; I've gone so far. I would love to be hypnotized so I can get in there. I'd love to be, I'm so curious.

Haley Radke: Serious?

Megan Culhane Galbraith: Yes. I'm so curious.

Haley Radke: That sounds terrifying. If you want to talk about being in control as an adoptee and how many, unfortunately, suffer with eating disorders and those kinds of things, being hypnotized, that sounds terrible.

Megan Culhane Galbraith: Yeah. But you know what? What I want to give up now is that control because I know I can't control anything. So how do I figure out what I can change? And the only thing I can change is what's in me and how I react to the world. So therefore, I want to understand me better.

Haley Radke: That's so interesting. No, it's like I will pay the price of losing control in order to unlock the secrets. [00:51:00]

Megan Culhane Galbraith: Yeah. Yeah. It's really scary. I try to unlock secrets in so many ways. I use divination. I read the tarot. I really think hard about my intuition. I really try to listen to my body and what it's telling me. I'm always trying to unlock those secrets. I think secrets are poison, and I want to find them all. I want to root them out, and I want to expose them to the daylight.

Haley Radke: Yes. No more secrets, no more lies. That should be the adoptee mantra. Okay. This was such a good conversation. I want to do recommended resources, but before we do, is there anything else you want to say to your fellow adoptees?

Megan Culhane Galbraith: I see you. I see you. I hope you see me. I am very grateful for finding, finally late in life, an adoptee community, and once I found some of the resources on your site and other places, [00:52:00] I just thought, Oh my God I don't feel so alone. I think we struggle feeling alone because we think that what we're feeling is just us, and it's so not, and I'm so happy to have this community because of that. So thank you for making this space, for god sakes.

Haley Radke: Community is so powerful. It absolutely is, and who knew? Who knew?

Megan Culhane Galbraith: I know.

Haley Radke: I am so thrilled and honored that I got to read your book. So Megan's book is The Guild of the Infant Savior: An Adopted Child's Memory Book, just the title, even, is so special. You have this whole section where you list off, oh my gosh, all these different names of maternity homes and other places. It's fascinating and so powerful. But isn't it nutty, just the name, The Guild of the Infant Savior? [00:53:00] Talk about the reason for adoption, the savior narrative. Oh my word.

Megan Culhane Galbraith: I know. I know. Oof. And I want to write more about the actual place too because it was a huge, society nonprofit, huge. All the blue bloods got together in the Rainbow Room to raise money for the Guild of the Infant Savior. They got together at whatever the fancy hotels are in New York to raise money, and I just think to myself, Ah, so this is also where the wealthy daughters go to get a baby when they don't wanna ruin their fig, y'all. And also where they go when they get in trouble. Right?

Haley Radke: Yeah. There's so many things that come out of that.

Megan Culhane Galbraith: Yeah.

Haley Radke: So this is described as a hybrid work of creative nonfiction, and, as you may have heard us allude to throughout this conversation, Megan has works of visual art that she's created that are a part of it. [00:54:00] She has essays. There's just these little snippets. What would you call those? You've got a few sentences on this, and then you go to the next topic and the next, and it felt like to me like your journal where you have your little epiphany, and you're like, Oh my gosh, I gotta write that down. And you write down your few thoughts, and then you come back to it later, like some special thing that you've saved. So to read your insights like that was so special. I really enjoyed it, truly. I'm not just saying that because I'm looking at you. And also, I love how you wove in all of those pieces of sadly finding out about the domecon babies. Domacon?

Megan Culhane Galbraith: I say dome-econ. [as in domestic economy]

Haley Radke: The domecon babies and the other experiments, some of which you'll probably be familiar with, and some that you might never have heard of. And even though some of the things are really upsetting to find out about, [00:55:00] it's critical as people that want to be in the truth, living in the truth, knowing about adoptee activism and speaking up for other adoptees who maybe haven't found their way yet, if they haven't found their way to community yet, it's important. It's critical for us to know those things. So I love how you have your story wrapped up in this bigger story, the bigger narrative of what's happened before and what's still happening now. So, highly recommend. Top-notch. Two thumbs-up.

Megan Culhane Galbraith: Thank you so much. Thanks.

Haley Radke: I only have two thumbs, but –

Megan Culhane Galbraith: Thanks, Haley.

Haley Radke: Is there anything you want to tell us about your book? It's hard for me to describe because I haven't read anything like it. Anything else that you want to hook us in with?

Megan Culhane Galbraith: It's funny people say they haven't read anything like it, which that's a high compliment. I also love when they say it's weird. [00:56:00] It's weird, I love it.

Haley Radke: I was going to say quirky. There are some quirky things, yes. And the photos are just, all of them, there's this visceral reaction. And I was reading on an e-reader, can't wait for my color copy to come, because even in grayscale it packed a punch.

Megan Culhane Galbraith: Oh, I'm so glad that's the case. Those pictures needed to be in color, and it's not something that happens easily in publishing, especially with a small press, and they supported me on that, so I'm really happy about that. I think the whole narrative is what I would call fragmented narrative, and it replicates the way we as adoptees get our information, which is not in any linear fashion. I tried to write a linear memoir, and that just did not work. And I think appropriating different forms [00:57:00] like the lyric essay, which is what you were talking about, these disparate thoughts that come in but are all interlinked, the lyric essay, a prose poem, a fairy tale that's turned on its head, all these are things that help me tell my story. And then there are some just straight-on essays in there, and there's research essays like the domecon piece. I'm glad that this book exists in the world. I didn't know that it ever would actually get published, and I really appreciate Ohio State University Press, especially Mad Creek Books, which is their imprint for these kinds of narratives and diverse voices. I think that they do a fantastic job. And I think there needs to be more of a place in the world for these kinds of books that are not traditional linear narratives. And so I'm glad mine's one of them.

Haley Radke: Yay. I'm so glad, too. There's some really stunning writing. What do you want to recommend to us today, Megan? [00:58:00]

Megan Culhane Galbraith: Yeah. So speaking of non-traditional narratives, I want to recommend Palimpsest: Documents from a Korean Adoption by Lisa Wool-Rim Sjöblom. I read this just recently, and I wish I had read it while I was writing this book because it's a graphic narrative, so it's told in comic book style. The thing that interests me so much about adoption is how interwoven our feelings are no matter race, class, color, international adoption, American adoption. We all have similar feelings, and in this narrative I just felt it so deeply in her words and images, that same longing, that same [00:59:00] sadness for not being able to find her paperwork or reclaim her identity. International adoptees have, of course, the added layer of a heritage that, you know, she goes back to Korea and feels so at home there, and yet also othered because she was adopted into a family that wasn't Korean and not in Korea. So there's this whole heritage that I think international adoptees lose also. That's not part of my story, I can only relate to it because it's not my lived narrative, of course. But I highly recommend her book. It's beautifully done, and it's just heartbreaking. It's heartbreaking. I can't wait to listen to her podcast.

Haley Radke: Yeah. Lisa was on the show. I was telling Megan earlier, she's on Episode 130, so we talk more about her story and her book. And she is such a fabulous artist. The cover of [01:00:00] Palimpsest, she tells us a little bit more about that in her interview, but you can actually order an art print of the cover, and I have it. It's hidden behind my screen here. But it's so beautiful.

Megan Culhane Galbraith: It's so beautiful. It's–if I can describe it, she would describe it better–but it's basically a baby in utero and that fetal position is so vulnerable.

Haley Radke: And it's within the map of Korea. And then the word palimpsest refers to the hidden words behind when they've reused manuscripts and there's text overlaid. And she explains to us that the text on there is other names from her orphanage.

Megan Culhane Galbraith: Oh my gosh. We did a similar thing!

Haley Radke: Oh, yeah, Megan.

Megan Culhane Galbraith: Wow. Oh my God, we did a similar thing without even knowing it. That's what [01:01:00] I mean. I just love the word palimpsest, and I'm sure she's done this, but in the beginning of her book because words mean so much, right? Palimpsest: a very old text or document in which writing has been removed and covered or replaced by new writing. And that's from the Cambridge Dictionary, and that speaks to me directly to the erasure of adoption, your original birth certificate is somewhere. You got a new one. Mine was dated two years after I was born. I still haven't received my original one. And so that word in and of itself is just a great gift to understand what that means. Oh my God.

Haley Radke: She's brilliant. I know. I know.

Megan Culhane Galbraith: I know. I know.

Haley Radke: Wonderful. We're so glad that your book is in the world, and where can we connect with you online to hear more?

Megan Culhane Galbraith: Oh, I would love if you connect. I [01:02:00] am at megangalbraith (dot) com, and there you can get all my Twitter, Facebook, Instagram handles. You can also sign up for my newsletter if you'd like to do that. I haven't written one yet, but I would love to have you. I would love to have you as a subscriber. One's going out soon.

Haley Radke: We're recording this a little in advance of when it's coming out, but I just sent out a newsletter for the first time in two years.

Megan Culhane Galbraith: That's the beauty of signing up for my newsletter is you know you're not going to get spammed- ... with a lot of stuff. Definitely not.

Haley Radke: No spam.

Megan Culhane Galbraith: But so my newsletter's called The CoLab and I want to, after book promotion stuff, all of the stuff I need to do, I want to start talking to artists and writers because my word for 2021 is “collaborate.” And I just think there's so much that can be gained from other people's [01:03:00] insights, and I'm hoping maybe Lisa will be someone I can talk to and I can share her art. But I want to share, I want to talk about collaboration. I think it's just so important to connect, especially after a year of disconnection.

Haley Radke: Absolutely. So true. I will make sure to link to your website and all your social media handles. And I was looking at the Dollhouse Instagram. I did a deep dive, and when I say you have been consistent through your life, Megan, there was found objects from your childhood that you made tiny little dishes and food, and you mentioned in our interview that you used to make dioramas, and then now moving fast-forward to the Dollhouse as an adult. Wow. Very meta. Look at that. You're very consistent.

Megan Culhane Galbraith: It's so weird. Thank you for [01:04:00] looking.

Haley Radke: What more can I do as an interviewer than to be very creepy and go back years and years on your social media? So you bet. Such a delight to chat with you, Megan. Thank you.

Megan Culhane Galbraith: You too, Haley. Thank you so much.

Haley Radke: I enjoyed our conversation so much that I asked Megan if she would come and do Book Club with the adoptees on Patreon supporters. If you don't know, on Patreon, all of my monthly supporters, we have a monthly Book Club where we get together on a Zoom call and we talk about the book that we have read for the month and we've done memoir and fiction and kind of a wide variety of different picks. But I promise they are all adoptee-authored books. And then if you can't be with us live, we drop the audio recording right into your podcast app so you can catch up. [01:05:00] It has been so fun and Megan agreed. So she's going to be our June pick for the Adoptees Off Script Book Club on Patreon and she'll be joining us for that.

You can find the date and link to the call posted in Patreon and it's also going to be posted in the Patreon Facebook Group. So I am so grateful for those of you who support the show in that way. It is a huge gift for me that the community is supporting the show and paying for the cost of production and all the things that you don't see because the show just drops into your app nicely every week. But it takes a lot of work to get it there. So I have tried to set up Patreon as all the extra bonus content for you as a thank you in order to keep the main show always free for adoptees, especially for adoptees who don't have access to other resources that [01:06:00] some of us do, paying for therapy and such expensive things. So Adoptees On the main feed will always be free as a resource and my monthly patrons, bless you, because you make it possible for Adoptees On to be available like this for other adoptees.

Okay. I've mentioned this a couple times but I just wanted to lead up to our summer goodbye. Next week will be our last episode before I take a summer break and I'll be back with regular episodes in September. So next Friday there will be a brand-new episode and then you'll see me back in September except if you're on Patreon, I'm still there. Through the summer we'll be having weekly Adoptees Off Script episodes and Book Club. That is going to continue. So if you need more Adoptees On in your life, go to adopteeson.com/partner to find the book club and to support the show and keep it going.

Thank you so much for listening. Let's talk again next Friday